Las incertidumbres, las inconsistencias, los miedos y las obsesiones de cada época condicionan su arte, y el cine es uno de los dispositivos que los recoge, estiliza y arroja de nuevo al espectador.
Analisis del pensamiento creativo desde la perspectiva de que comprender y aprehender el proceso de creacion es imprescindible para todas aquellas personas que se interesen por la comunicacion persuasiva en y desde cualquier tipo de organizacion.
Este libro busca las implicaciones de los analisis deleuzianos en la obra del director de cine David Lynch, tomandolo como caso de excepcion en el devernir del cine actual, donde se condensan de manera precisa las busquedas del filosofo frances en torno a la imagen y el pensamiento.
El auge y la proliferación de los biopics, los reality shows, las home movies y los documentales e historias de vida parecen indicar un predominio de los relatos vitales por sobre los ficcionales.
En el período 1963-1975 la sociedad española vivirá una tímida apertura aunque seguirá deseando integrarse en la pujante Europa comunitaria y democrática, hecho que no llegará hasta finales de 1985.
In Curating Deviance, Marc Francis scavenges film history for signs of vibrant, wayward life in the film programming of US art house and repertory cinemas between 1968 and 1989.
This is the first academic book to provide a comprehensive survey of the work of Haneda Sumiko (1926-), the first woman to regularly direct documentaries in postwar Japan, by examining her major documentaries among the extensive filmography she developed over 60 years.
This is the first academic book to provide a comprehensive survey of the work of Haneda Sumiko (1926-), the first woman to regularly direct documentaries in postwar Japan, by examining her major documentaries among the extensive filmography she developed over 60 years.
Since the year 2000, Quebec's film industry has burgeoned with a parabolic increase in the number of films released and the production of a wide array of film genres.
This book is the first systematic study examining depictions of Roman Britain in fictional film and television, exploring the varying interpretations of the rich history and myths that emerge from the clash of cultures between Romans and Britons.
This book is the first systematic study examining depictions of Roman Britain in fictional film and television, exploring the varying interpretations of the rich history and myths that emerge from the clash of cultures between Romans and Britons.
Since the year 2000, Quebec's film industry has burgeoned with a parabolic increase in the number of films released and the production of a wide array of film genres.
The book focuses on the concept of non- redemptive failure, a type of failure that is not part of a larger narrative of success or narrative redemption, with attention to how the concept functions between literature, critical theory, and other fields.
Journey through the rabbit hole into unexplored theoretical territory as Lewis Carroll's beloved Alice navigates the boundaries between human and nonhuman across literature and film.
This book takes a critical look at contemporary digital forms of African popular cultural production, examining how they articulate relationships between Africa and Europe, and between Africans and Europeans.
The book focuses on the concept of non- redemptive failure, a type of failure that is not part of a larger narrative of success or narrative redemption, with attention to how the concept functions between literature, critical theory, and other fields.
This book takes a critical look at contemporary digital forms of African popular cultural production, examining how they articulate relationships between Africa and Europe, and between Africans and Europeans.
Myths of Masculinity and American Film examines ideologies of white American manhood that permeated US culture between 1974 and 2016-the period in which the boys of Generation X grew into adulthood.
Journey through the rabbit hole into unexplored theoretical territory as Lewis Carroll's beloved Alice navigates the boundaries between human and nonhuman across literature and film.
This book presents a critical examination of how cultural forms, ranging from cinema and TV to literature, address class within the overarching context of a crisis conjuncture, specifically the period following the 2008 financial crash.
Myths of Masculinity and American Film examines ideologies of white American manhood that permeated US culture between 1974 and 2016-the period in which the boys of Generation X grew into adulthood.
This book presents a critical examination of how cultural forms, ranging from cinema and TV to literature, address class within the overarching context of a crisis conjuncture, specifically the period following the 2008 financial crash.
Gender in World Cinema: Culture, Representation and Power in Global Film explores how cinema across cultures has shaped, contested, and transformed ideas of gender, identity, and power.
Parahistory and the Popular Past challenges the tired debate over historical fact versus fiction by focusing on what really matters: how different forms of representation create meaning and establish responsibility.
Parahistory and the Popular Past challenges the tired debate over historical fact versus fiction by focusing on what really matters: how different forms of representation create meaning and establish responsibility.
The Cinema of Agnieszka Holland: Anger and Ethics uniquely combines academic film analysis, biographical detail, and personal interviews with the filmmaker, conducted over the course of a year, to trace the development of Agnieszka Holland's female characters and how they have been reshaped across half a century.
Environmental Ethics and Film presents and defends a systematic and comprehensive account of the moral relation between human beings and their natural environment and assumes that human behaviour toward the natural world can and is governed by moral norms.
