This study focuses on street art and large-scale murals in metropolitan Miami/Dade County, while also foregrounding the diasporic and aesthetic interventions made by migrant and second-generation artists whose families hail from the Caribbean and Latin America.
The new sports frontier that turns fans into would-be execs-and transforms the suits into superstars Front office executives have become high-profile commentators, movie and video game protagonists, and role models for a generation raised in the data-driven, financialized world of contemporary sports.
This volume focuses on Jewish American identity within the context of Pop art in New York City during the sixties to reveal the multivalent identities and selves often ignored in Pop scholarship.
Widely considered to be English Canada's first queer film, Winter Kept Us Warm explores a romance between two young men at the University of Toronto in the early 1960s, a moment when homosexuality was still a crime in Canada.
The annual Beijing Film Academy Yearbook highlights the best academic debates, discussions and research from the previous year, as previously published in the highly prestigious Journal of Beijing Film Academy.
The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia.
The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia.
White feminists performing to maintain privilege Mean girl feminism encourages girls and women to be sassy, sarcastic, and ironic as feminist performance.
Hollywood Online provides a historical account of motion picture websites from 1993 to 2008 and their marketing function as industrial advertisements for video and other media in the digital age.
How filmmaker-philosophers brought the dream of making documentaries and strengthening democracy to award-winning realitywith help from nuns, gang members, skateboarders, artists, disability activists, and more.
The Synergy of Music and Image in Audiovisual Culture: Half-Heard Sounds and Peripheral Visions asks what it means to understand music as part of an audiovisual whole, rather than separate components of music and film.
Until recently, it was assumed that the Nazis agitated against Chaplin from 1931 to 1933, and then again from 1938, when his plan to make The Great Dictator became public.
Drawing on cultural policy, queer and feminist theory, materialist media studies, and postcolonial historiography, Bliss Cua Lim analyzes the crisis-ridden history of Philippine film archiving-a history of lost films, limited access, and collapsed archives.
The Synergy of Music and Image in Audiovisual Culture: Half-Heard Sounds and Peripheral Visions asks what it means to understand music as part of an audiovisual whole, rather than separate components of music and film.
Hollywood Online provides a historical account of motion picture websites from 1993 to 2008 and their marketing function as industrial advertisements for video and other media in the digital age.
Global Film Policies challenges conventional analyses of film policy as a stand-alone public policy confined within national boundaries and usually focused on supports for film production.
Negative Aesthetics and Political Collapse in Eastern European and Balkan Cinema examines the theme of political collapse in select contemporary Eastern European and Balkan art cinema and documentaries from the late eighties to the present.
Experience the Terrifying Journey of Horror Movies Through the AgesStep into the haunting world of Dark Cinema: The Evolution of Scare Tactics in Hollywood, a chilling exploration and thought-provoking analysis of the horror genre in film.
Until recently, it was assumed that the Nazis agitated against Chaplin from 1931 to 1933, and then again from 1938, when his plan to make The Great Dictator became public.
In den letzten Jahrzehnten ist – nicht zuletzt durch CineGraph – das Schicksal von jüdischen Filmschaffenden aus Ost-Europa, die durch den völkischen Rassismus des NS-Regimes ins Exil vertrieben wurden, häufig in den Blick genommen worden.
In The Movies of Racial Childhoods Celine Parrenas Shimizu examines early twenty-first-century cinematic representations of Asian and Asian American children.
Examining popular media portrayals of various health topics, this book offers a critical analysis of how those mediated messages can impact, for good or ill, people's physical and mental health.
In der Zeit des wirtschaftlichen Aufschwungs Deutschlands nach dem Zweiten Weltkrieg waren die Wochenschauen im Vorprogramm jeder Kinovorstellung eine bedeutende Informationsquelle.
Building on the work of star studies scholars, this collection provides contextual analyses of off-screen representation, as well as close textual analyses of films and star personas, thereby offering an in-depth study of the Arab star as text and context of Arab cinema.
In der Zeit des wirtschaftlichen Aufschwungs Deutschlands nach dem Zweiten Weltkrieg waren die Wochenschauen im Vorprogramm jeder Kinovorstellung eine bedeutende Informationsquelle.
