This book shows that screens don't just distribute the visible and the invisible, but have always mediated our body's relationships with the physical and anthropological-cultural environment.
This book shows that screens don't just distribute the visible and the invisible, but have always mediated our body's relationships with the physical and anthropological-cultural environment.
In Indigenous North American film Native Americans tell their own stories and thereby challenge a range of political and historical contradictions, including egregious misrepresentations by Hollywood.
This book investigates the internationalization of Chinese culture in recent decades and the global dimensions of Chinese culture from comparative and interdisciplinary perspectives.
This book investigates the internationalization of Chinese culture in recent decades and the global dimensions of Chinese culture from comparative and interdisciplinary perspectives.
One of the rare collections I would recommend for use in undergraduate teaching the chapters are lucid without being oversimplified and the contributors are adept at analyzing the key industrial, technological and ideological features of contemporary U.
In Indigenous North American film Native Americans tell their own stories and thereby challenge a range of political and historical contradictions, including egregious misrepresentations by Hollywood.
Die Konjunktur des Politischen in neueren Kinofilmen und Fernsehserien ist mit tradierten Oppositionen – wie der von Inhalt und Form – nicht mehr zu beschreiben.
From yellow-face performance in the 19th century to Jackie Chan in the 21st, Chinese Looks examines articles of clothing and modes of adornment as a window on how American views of China have changed in the past 150 years.
From yellow-face performance in the 19th century to Jackie Chan in the 21st, Chinese Looks examines articles of clothing and modes of adornment as a window on how American views of China have changed in the past 150 years.
By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track.
This invaluable resource by one of the world's leading experts in French cinema presents a coherent overview of French cinema in the 20th century and its place and function in French society.
Exploring Film through Bad Cinema offers an overview of the practice of film analysis through a specific focus on the concept of "e;bad"e; cinema within a series of broad cultural and historical contexts.
