Using critical race theory and film studies to explore the interconnectedness between cinema and society, Zelie Asava traces the history of mixed-race representations in American and French filmmaking from early and silent cinema to the present day.
Movement as Meaning in Experimental Cinema offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language.
For Elena del Rio, extreme cinema is not only qualitatively different from the representations of violence we encounter in popular, mainstream cinema; it also constitutes a critique of the socio-moral system that produces (in every sense of the word) such violence.
»Ohne geht nicht: Wie so viele andere eingefleischte Fans der Saga entdeckte ich durch das Erlebnis der ersten Star Wars-Trilogie meine Leidenschaft für das Kino.
This book argues for a durational cinema that is distinct from slow cinema, and outlines the history of its three main waves: the New York avant-garde of the 1960s, the European art cinema in the years after 1968, and the international cinema of gallery spaces as well as film festivals since the 1990s.
Moving from People magazine to publicists' offices to tours of stars' homes, Joshua Gamson investigates the larger-than-life terrain of American celebrity culture.
Esta obra analiza las posibles relaciones entre la crítica de Walter Benjamin y la experiencia cultural del capitalismo en América Latina; la hipótesis de que, vista desde la perspectiva de la producción cultural, la experiencia histórica latinoamericana del capitalismo ha estado sobredeterminada por lo político; y que la violencia constituyente que define la "acumulación originaria" no sólo precede al capitalismo, sino que lo acompaña de forma siempre como su condición de existencia y reproducción.
"e;The Cambridge Modern History Collection"e; is a remarkable Amazon ebook that brings together all five original volumes, offering a captivating exploration of significant historical periods.
Imagenes de nomadas transnacionales indaga acerca de las representaciones del migrante nacional en el cine y el video de productores ecuatorianos locales y de residentes en el exterior.
Durante el siglo XIX, los philosophical toys promovieron y acompañaron el desarrollo de los estudios sobre el movimiento, oscilando entre una mera curiosidad por los efectos ópticos y una argumentación fisiológica sobre el funcionamiento de la vista.
Volver a pensar la idea de lenguaje cinematográfico implica reconsiderar algunos aspectos de la historia del cine en sus paulatinas combinaciones desde la máquina específica electromecánica y foto química original a sus paulatinas combinaciones, reemplazos y simulaciones por las tecnologías electrónicas y digitales.
When "e;talking"e; pictures first appeared in cinema theaters in the late 1920s, films about newspaper journalists quickly became a Hollywood mainstay.
Con apenas un poco más de un siglo y cuarto de existencia, el cine no se inscribe cómodamente en el sistema de estilos y épocas que la historia del arte prescribe para disciplinas milenarias como la pintura, la música o la literatura.
In Revisioning History thirteen historians from around the world look at the historical film on its own terms, not as it compares to written history but as a unique way of recounting the past.
"e; From his unique perspective of friendship with many of the actors and actresses about whom he writes, silent film historian Anthony Slide creates vivid portraits of the careers and often eccentric lives of 100 players from the American silent film industry.
This book explores ways in which screen-based storyworlds transfix, transform, and transport us imaginatively, physically, and virtually to the places they depict or film.
Ethics of Cinematic Experience: Screens of Alterity deals with the relationship between cinema and ethics from a philosophical perspective, finding an intrinsic connection between film spectatorship and the possibility of being open to different modes of alterity.
Dieses E-Book ist Teil einer zwölfbändigen Reihe, die die Geschichte des deutschen Films anhand der Sammlungsbestände der Deutschen Kinemathek von den Anfängen im Jahr 1895 bis zur Gegenwart dokumentiert.
This book explores ways in which screen-based storyworlds transfix, transform, and transport us imaginatively, physically, and virtually to the places they depict or film.
Beginning with Casino Royale (2006) and ending with No Time to Die (2021), the Daniel Craig era of James Bond films coincides with the rise of various justice movements challenging deeply entrenched systems of inequality and oppression, ranging from sexism, racism, and immigration to 2SLGBTQIA+ rights, reproductive justice and climate change.
