This book is the first comprehensive overview of the history of female-presenting AI and robots in US and UK live-action, science fiction films from 1949 to 2023.
When a work of art shows an interest in its own status as a work of art-either by reference to itself or to other works-we have become accustomed to calling this move "e;meta.
Inspired by her Wild About Horror segments on the Evolution of Horror Podcast, Psychoanalysing Horror Cinema sees Mary Wild investigate 50 films across six core subgenres-Mind, Body, Nature, Aliens, Vampires, and Home Invasion-through close readings of key titles including Mulholland Drive, Black Swan, Jaws, Predator, Twilight, and Misery.
Reframing Faith in Balkan Documentary Film presents the first systematic study of the cinematic representations of religion in the early documentary film on the Balkan Peninsula from 1896 to 1939.
Inspired by her Wild About Horror segments on the Evolution of Horror Podcast, Psychoanalysing Horror Cinema sees Mary Wild investigate 50 films across six core subgenres-Mind, Body, Nature, Aliens, Vampires, and Home Invasion-through close readings of key titles including Mulholland Drive, Black Swan, Jaws, Predator, Twilight, and Misery.
Reframing Faith in Balkan Documentary Film presents the first systematic study of the cinematic representations of religion in the early documentary film on the Balkan Peninsula from 1896 to 1939.
This book provides interdisciplinary perspectives on the work of the Japanese writer Haruki Murakami, with a particular focus on the conceptual material of his work.
There is currently a vigorous debate in film studies and related disciplines about the extent to which scientific paradigms like evolutionary psychology and neuroscience can explain the cinema and other artforms.
There is currently a vigorous debate in film studies and related disciplines about the extent to which scientific paradigms like evolutionary psychology and neuroscience can explain the cinema and other artforms.
This book provides interdisciplinary perspectives on the work of the Japanese writer Haruki Murakami, with a particular focus on the conceptual material of his work.
Cinematically Rendering Confucius marks the first book-length enquiry into China's first two big screen treatments of arguably the best-known and most influential thinker in world history: Confucius.
Cinematically Rendering Confucius marks the first book-length enquiry into China's first two big screen treatments of arguably the best-known and most influential thinker in world history: Confucius.
Lawrence Durrell, Postmodernism and the Ethics of Alterity is of interest for any reader wishing to explore the interface between literature, and critical and cultural theory.
Pier Paolo Pasolini's lifework has been studied through the lens of queer studies, film studies, poetry, and many other angles, but there are themes that one could still study.
Pier Paolo Pasolini's lifework has been studied through the lens of queer studies, film studies, poetry, and many other angles, but there are themes that one could still study.
This book establishes a dialogue between Yorgos Lanthimos and Giorgio Agamben as a way of interpreting the "e;weird"e; roles, rules, and rituals that define and discipline lives in Lanthimos's early works, from Kinetta to The Killing of a Sacred Deer.
This book establishes a dialogue between Yorgos Lanthimos and Giorgio Agamben as a way of interpreting the "e;weird"e; roles, rules, and rituals that define and discipline lives in Lanthimos's early works, from Kinetta to The Killing of a Sacred Deer.
With just eight feature films to date, Sofia Coppola has crafted a distinctive hyper-feminine aesthetic, establishing herself as one of the world's finest directors.
This book is the first monograph to critically evaluate the work of the literary scholar Rene Girard from the perspectives of Law and Literature and Law and Film Studies, two of the most multidisciplinary branches of critical legal theory.
This book is the first monograph to critically evaluate the work of the literary scholar Rene Girard from the perspectives of Law and Literature and Law and Film Studies, two of the most multidisciplinary branches of critical legal theory.
This book shows that screens don't just distribute the visible and the invisible, but have always mediated our body's relationships with the physical and anthropological-cultural environment.
This book shows that screens don't just distribute the visible and the invisible, but have always mediated our body's relationships with the physical and anthropological-cultural environment.