The past 40 years of technological innovation have significantly altered the materials of production and revolutionized the possibilities for experiment and exhibition.
This book explores the continued development and practice of experimental documentary film making with evolving trends in still photography, visual arts, journalism, installation art, docudrama, interactive media, music, poetry, and creative nonfiction.
The beginning of the 21st century was a time of unprecedented events in American society: Y2K, 9/11 and the wars that followed, partisan changes in government and the rapid advancements of the Internet and mass consumerism.
The Marvel Cinematic Universe--comprised of films, broadcast television and streaming series and digital shorts--has generated considerable fan engagement with its emphasis on socially relevant characters and plots.
Despite its cozy image, the bungalow in literature and film is haunted by violence even while fostering possibilities for personal transformation, utopian social vision and even comedy.
Among Golden Age Hollywood film stars of European heritage known for playing characters from the East--Chinese, Southeast Asians, Indians and Middle Easterners--Anglo-Indian actor Boris Karloff had deep roots there.
From a decidedly inauspicious start as a low-rated television series in the 1960s that was cancelled after three seasons, Star Trek has grown to a multi-billion dollar industry of spin-off series, feature films and merchandise.
Bringing to light the long-shrouded symbolism and startling spiritual depth that renowned director Stanley Kubrick packed into every detail of his iconic films, this book excavates the subtle ways Kubrick calls attention to universal truths and shocking realities still pervading our society.
An accessible, comprehensive overview of contemporary Irish cinema, this book is intended for use as a third-level textbook and is designed to appeal to academics in the areas of film studies and Irish studies.
The remarkable commercial success of Mel Gibson's The Passion of the Christ in 2004 came as a surprise to the Hollywood establishment, particularly considering the film's failure to find production funding through a major studio.
Widespread law enforcement or formal policing outside of cities appeared in the early 20th century around the same time the early film industry was developing--the two evolved in tandem, intersecting in meaningful ways.
In the two decades after World War II, a vibrant cultural infrastructure of cineclubs, archives, festivals, and film schools took shape in Latin America through the labor of film enthusiasts who often worked in concert with French and France-based organizations.
Employing a wide range of examples from Uncle Tom's Cabin and Birth of a Nation to Zelig and Personal Best, Janet Staiger argues that a historical examination of spectators' responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products.
The 40-year history of high definition television technology is traced from initial studies in Japan, through its development in Europe, and then to the United States, where the first all-digital systems were implemented.
In Landscapes of Loss, Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960s.
An exciting and visually focused tour of the diverse range of films shot on location in London, World Film Locations: London presents contributions spanning the Victorian era, the swinging '60s and the politically charged atmosphere following the 2005 subway bombings.
Part of Intellect's World Film Locations series, World Film Locations: Helsinki explores the relationship between the city, cinema and Finnish cultural history.
Responsible for some of the greatest films of the 20th century-The Grapes of Wrath, How Green Was My Valley, and The Quiet Man among others-John Ford was best known for motion pictures that defined the American West and the face of wartime military.
'We'll always have Paris,' Humphrey Bogart assures Ingrid Bergman in the oft-quoted farewell scene from Casablanca in which Bogart's character, hard-hearted restaurateur Rick Blaine, bids former lover Ilsa Lund goodbye.
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin.
In recent years, Chinese film has garnered worldwide attention, and this interdisciplinary collection investigates how new technologies, changing production constraints, and shifting viewing practices have shaped perceptions of Chinese screen cultures.
Robert Zemeckis has risen to the forefront of American filmmaking with a string of successes: Romancing the Stone, Back to the Future I, II, & III, Who Framed Roger Rabbit?
Acclaimed in an international critics poll as one of the ten best films ever made, Stanley Kubrick's 2001: A Space Odyssey has nonetheless baffled critics and filmgoers alike.
To coincide with the recent DVD release of The Spirit of the Beehive, this paperback collection of essays focuses on the work of acclaimed Spanish director, Victor Erice.
