This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disaporic and transnational Chinese film-making, from the beginnings of cinema to the present day.
This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disaporic and transnational Chinese film-making, from the beginnings of cinema to the present day.
The 1940 film adaptation of Daphne du Maurier's gothic romance Rebecca begins by echoing the novel's famous opening line, 'Last night I dreamt I went to Manderley again.
The 1940 film adaptation of Daphne du Maurier's gothic romance Rebecca begins by echoing the novel's famous opening line, 'Last night I dreamt I went to Manderley again.
Paul McDonald's study of the actor-filmmaker George Clooney traces the star's career, from his role in the hit television medical drama ER to his dual screen persona, allowing him to move seamlessly from commercial hits such as Out of Sight (1998) and Ocean's Eleven (2001) to more offbeat roles in such films as Oh Brother, Where Art Thou?
Paul McDonald's study of the actor-filmmaker George Clooney traces the star's career, from his role in the hit television medical drama ER to his dual screen persona, allowing him to move seamlessly from commercial hits such as Out of Sight (1998) and Ocean's Eleven (2001) to more offbeat roles in such films as Oh Brother, Where Art Thou?
First released in 1987, Near Dark is a vampire film set in the contemporary American Midwest that tells the story of Caleb, a half-vampire trying to decide whether to embrace his vampire nature or return to his human family.
First released in 1987, Near Dark is a vampire film set in the contemporary American Midwest that tells the story of Caleb, a half-vampire trying to decide whether to embrace his vampire nature or return to his human family.
Film production in Latin America is as old as cinema itself, but local film industries have always been in a triangulated relationship with Hollywood and European cinema.
Longlisted for the 2020 Kraszna-Krauz Foundation's Moving Image Book AwardPaolo Cherchi Usai provides a comprehensive introduction to the study, research and preservation of silent cinema from its heyday in the early 20th century to its present day flourishing.
Longlisted for the 2020 Kraszna-Krauz Foundation's Moving Image Book AwardPaolo Cherchi Usai provides a comprehensive introduction to the study, research and preservation of silent cinema from its heyday in the early 20th century to its present day flourishing.
On the face of it, Gabriel Axel's Babette's Feast (1989) is a film in which the eyes and mouths of religious zealots are opened to the glories of the sensual world.
On the face of it, Gabriel Axel's Babette's Feast (1989) is a film in which the eyes and mouths of religious zealots are opened to the glories of the sensual world.
Indian Film Stars offers original insights and important reappraisals of film stardom in India from the early talkie era of the 1930s to the contemporary period of global blockbusters.
Challenging the study of both celebrity and the cinema, Mandy Merck argues that modern fame and film melodrama are part of the same worldview, one that cannot resolve the relation of personal worth to social esteem.
Challenging the study of both celebrity and the cinema, Mandy Merck argues that modern fame and film melodrama are part of the same worldview, one that cannot resolve the relation of personal worth to social esteem.
A fascinating trip around the side streets and back to backs of working-class cinema, exploring the British New Wave kitchen sink dramas of the 50s and 60s, such as Saturday Night and Sunday Morning, A Taste of Honey and This Sporting Life, to Kes, Quadrophenia and This is England.
David Lean's extraordinary films work philosophically through the modern reproductive and transportive technologies of sight and sound: through trains, planes, ships, and automobiles, from one perspective, and through the modern technology of the radio and gramophone, from another.
This book negotiates the notion of a 'classic' in film and fiction, exploring the growing interface and the blurring of boundaries between literature and film.
The heart of Hollywood's star-studded film industry for more than a century, Los Angeles and its abundant and ever-changing locales - from the Santa Monica Pier to the infamous and now-defunct Ambassador Hotel - have set the scene for a wide variety of cinematic treasures, from Chinatown to Forrest Gump, Falling Down to the coming-of-age classic Boyz n The Hood.
This thorough account of the life and films of the Spanish-Basque filmmaker Julio Medem is the first book in English on the internationally renowned writer-director of Vacas, La ardilla roja (Red Squirrel), Tierra, Los amantes del Circulo Polar (Lovers of the Arctic Circle), Lucia y el sexo (Sex and Lucia), La pelota vasca: la piel contra la piedra (Basque Ball) and Caotica Ana (Chaotic Ana),Initial chapters explore Medem's childhood, adolescence and education and examine his earliest short films and critical writings against a background of a dramatically changing Spain.
One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson.
This is the first full-length monograph in English about one of France's most important contemporary filmmakers, perhaps best known in the English speaking world for his award winning Les Roseaux sauvages/Wild Reeds of 1994.
