A chronological listing of the creative output and other antics of the members of the British comedy group Monty Python, both as a group and individually.
During the 2010s, science fiction's immortal adversaries King Kong and Godzilla, representing our conflicts per Carl Sagan's "e;dream dragons"e; analogy, made comebacks in American cinema.
The story of Star Trek's resurrection between the 1969 cancellation of the original series and the 1979 release of Robert Wise's Star Trek--The Motion Picture, has become legend and like so many other legends, it tends to get printed instead of the facts.
For millennia people have held folk beliefs about the existence of the doppelganger--"e;double walker"e; in German--a look-alike second self that is often the antithesis of one's identity and is usually considered an omen of misfortune or death.
Twenty-first century American television series such as Revolution, Falling Skies, The Last Ship and The Walking Dead have depicted a variety of doomsday scenarios--nuclear cataclysm, rogue artificial intelligence, pandemic, alien invasion or zombie uprising.
Richard Matheson's 1954 novel I Am Legend has spawned a series of iconic horror and science fiction films, including The Last Man on Earth (1964), The Omega Man (1971) and I Am Legend (2007).
In sharp contrast to many 1960s science fiction films, with idealized views of space exploration, Ridley Scott's Alien (1979) terrified audiences, depicting a harrowing and doomed deep-space mission.
Controversial yet beloved among audiences, Christmas-themed horror movies emerged in the early 1970s and gained a notorious reputation with Silent Night, Deadly Night (1984), depicting Santa as an ax-wielding maniac.
Directed by Jonathan Glazer (Sexy Beast, Birth) and starring Scarlett Johansson, the 2013 film Under the Skin contains elements of science fiction and fantasy, horror, mystery, and thriller.
Faith horror refers to a significant outcropping of mid-1960s and 1970s films and adaptative novels that depict non-Christian communities of evil doers and their activities.
Set in the American Southwest, "e;desert terror"e; films combine elements from horror, film noir and road movies to tell stories of isolation and violence.
The original Star Wars trilogy famously follows Joseph Campbell's model for the hero's journey, making Luke Skywalker's story the new hero quest for a modern age.
Dark, dangerous and transgressive, Bram Stoker's Dracula is often read as Victorian society's absolute Other--an outsider who troubles and distracts those around him, one who represents the fears and anxieties of the age.
Hollywood studios were once eager to bring stand-up comedy king Richard Pryor's dynamic humor to the big screen--so much so that studio executives gave him full access to available resources and creative control to develop his own projects.
British literature often refers to pagan and classical themes through richly detailed landscapes that suggest more than a mere backdrop of physical features.
Budd Boetticher (1916-2001) was a bullfighter, a pleasant madman and a talented journeyman filmmaker who could--with the right material and drive--create a minor Western film classic as easily as he could kill a bull.
An indispensable resource for students and researchers of paranormal myth and media, this book explores the undead and unholy in literature, film, television, and popular culture.
An auteur and the creator of multiple cinematic universes, James Wan has become one of the most successful directors in history, his films breaking box office records worldwide.
The first of its kind, this study examines the exemplars of hardcore horror--Fred Vogel's August Underground trilogy, Shane Ryan's Amateur Porn Star Killer series and Lucifer Valentine's "e;vomit gore"e; films.
Breaking box office records, the Marvel Cinematic Universe has achieved an unparalleled level of success with fans across the world, raising the films to a higher level of narrative: myth.
Andy Clyde starred in the second-longest series of shorts at Columbia Pictures (after the Three Stooges), with nearly 80 productions from 1934 to 1956.