In a comprehensively revised and updated new edition, James Naremore provides an illuminating critical account of the films of Stanley Kubrick, from his earliest feature, Fear and Desire (1953), to the posthumously-produced A.
Until his early retirement at age 50, Hasse Ekman was one of the leading lights of Swedish cinema, an actor, writer, and director of prodigious talents.
A Critical Cinema 5 is the fifth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English.
Belligerent and evasive, Josef von Sternberg chose to ignore his illegitimate birth in Austria, deprived New York childhood, abusive father, and lack of education.
This first introduction to Medvedkin's film-making career traces his process of developing a unique brand of cinematic satire throughout the period of the Soviet revolutionary experiment.
During his forty-five-year career, William Wyler (1902--1981) pushed the boundaries of filmmaking with his gripping storylines and innovative depth-of-field cinematography.
Guy Maddin is one of Canada's most celebrated and original filmmakers, the director of such delirious films as Tales from the Gimli Hospital, Careful, Dracula: Pages from a Virgin's Diary, The Saddest Music in the World and My Winnipeg.
Neon Knight Forever is a detailed study of one of the most misunderstood superhero series that dares to ask the most heretical question for all Bat-fans: what if Batman & Robin is actually a valuable achievement in big-budget superhero cinema?
David Fincher's Seven (1995) follows two detectives, David Mills (Brad Pitt) and William Somerset (Morgan Freeman), as they investigate a series of gruesome murders.
Billy Wilder's classic screwball comedy Some Like it Hot (1959), starring Jack Lemmon, Tony Curtis and Marilyn Monroe, tells the story of two struggling Jazz musicians who accidentally witness a mob massacre in Chicago who then, disguised as women, join a female band to escape the gangsters' pursuit.
Directors and Designers explores the practice of scenography - the creation of perspective in the design and painting of stage scenery - and offers new insight into the working relationships of the people responsible for these theatrical transformations.
A focused study on Michael Powell and Emeric Pressburger's cinematic contributions to the war effort, arguing for the centrality of propaganda to their work as film artists.
Whether addressing HIV/AIDS, the policing of bathroom sex, censorship, or anti-globalization movements, John Greyson has imbued his work with cutting humour, eroticism, and postmodern aesthetics.
Before his death in 2016, Abbas Kiarostami wrote or directed more than thirty films in a career that mirrored Iranian cinema's rise as an international force.
A complex and at times controversial film-maker whose career spanned the second half of the twentieth century, Federico Fellini (1920-1993) remains central to the Italian cultural imagery and the object of ongoing debates and critical scrutiny at home and abroad.
Ida Lupino, Filmmaker begins with an exploration of biographical studies and analytical treatments of Lupino's film and television work as director, moving forward to assess Lupino's career in film and television with particular attention given to Lupino's singular, pioneering achievements and her role(s) within the cultural milieu(s) of her time, particularly the representation of women in cinema.
A classic of feminist avant-garde cinema, Laura Mulvey and Peter Wollen's Riddles of the Sphinx (1977) follows the life of Louise (Dinah Stabb), a white middle-class woman living in London in the 1970s, as she confronts the complex politics of motherhood, domestic labour and work.
Saccharine for some, poignant for others, Jacques Demy's 'enchanted' world is familiar to generations of French audiences accustomed to watching Christmas repeats of his fairytale Peau d'ane (1970) or seeing Catherine Deneuve and Francoise Dorleac prance and pirouette in Les Demoiselles de Rochefort (1966).
Novelist, comics writer, scriptwriter, poet, occasional artist - a master of several genres and inadvertent leader of many cults - there are few creative avenues Neil Gaiman hasn't ventured down.