In a comprehensively revised and updated new edition, James Naremore provides an illuminating critical account of the films of Stanley Kubrick, from his earliest feature, Fear and Desire (1953), to the posthumously-produced A.
Diese Arbeit untersucht die Rolle von religiösen Motiven und theologischen Dimensionen in ausgewählten Filmen des ungarischen Regisseurs und Drehbuchautors.
En el cine de Lucrecia Martel se escucha más de lo que se ve: sus películas despliegan una orquesta ambiental, compuesta por ruidos, voces, músicas y silencios, que traspasa la pantalla y nos entrega un mundo espectral y tangible.
The work of Andrzej Wajda, one of the world s most important filmmakers, shows remarkable cohesion in spite of the wide ranging scope of his films, as this study of his complete output of feature films shows.
Ingmar Bergman s films had a very broad and rich relationship with the rest of European cinema, contrary to the myth that Bergman was a peripheral figure, culturally and aesthetically isolated from the rest of Europe.
Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Cannes Palm d'Or winner, Michael Haneke s films, situated as they are between intellectual projects and popular entertainments.
Since its completion in 1955, Alain Resnais s Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era.
There has been a recent revival of interest in the work of Polish film director Walerian Borowczyk, a label-defying auteur and escape artist if there ever was one.
For over five decades, the Newcastle-based Amber Film and Photography Collective has been a critical (if often unheralded) force within British documentary filmmaking, producing a variety of innovative works focused on working-class society.
Until his early retirement at age 50, Hasse Ekman was one of the leading lights of Swedish cinema, an actor, writer, and director of prodigious talents.
The films of Quentin Tarantino are ripe for philosophical speculation, raising compelling questions about justice and ethics, violence and aggression, the nature of causality, and the flow of time.
Saccharine for some, poignant for others, Jacques Demy's 'enchanted' world is familiar to generations of French audiences accustomed to watching Christmas repeats of his fairytale Peau d'ane (1970) or seeing Catherine Deneuve and Francoise Dorleac prance and pirouette in Les Demoiselles de Rochefort (1966).
Saccharine for some, poignant for others, Jacques Demy's 'enchanted' world is familiar to generations of French audiences accustomed to watching Christmas repeats of his fairytale Peau d'ane (1970) or seeing Catherine Deneuve and Francoise Dorleac prance and pirouette in Les Demoiselles de Rochefort (1966).
In the 30 years since its original release in 1986, Jim Henson's timeless fantasy film Labyrinth has captured the minds and imaginations of authors, artists, filmmakers, and fans across the world.
With 2005's acclaimed and controversial The New World, one of cinema's most enigmatic filmmakers returned to the screen with only his fourth feature film in a career spanning thirty years.
Barry Hines's novel A Kestrel for a Knave, adapted for the screen as Kes, is one of the best-known and well-loved novels of the post-war period, while his screenplay for the television drama Threads is central to a Cold War-era vision of nuclear attack.
This is the first academic book dedicated to the filmmaking of the three best known Mexican born directors, Guillermo del Toro, Alejandro Gonzalez Inarritu, and Alfonso Cuaron.
The Cinema Makers investigates how cinema spectators in southeastern and central European cities became cinema makers through such practices as squatting in existing cinema spaces, organizing cinema "e;events,"e; writing about film, and making films themselves.
Barry Hines's novel A Kestrel for a Knave, adapted for the screen as Kes, is one of the best-known and well-loved novels of the post-war period, while his screenplay for the television drama Threads is central to a Cold War-era vision of nuclear attack.
Responsible for some of the greatest films of the 20th centuryThe Grapes of Wrath, How Green Was My Valley, and The Quiet Man among othersJohn Ford was best known for motion pictures that defined the American West and the face of wartime military.
The cinematic output of Australian director Peter Weir has garnered numerous awards and widespread critical acclaim - from his early short films of the 1970s to the Hollywood hits he's helmed since 1985, including the likes of Witness, Dead Poets Society, The Truman Show and Master and Commander.
Acclaimed in an international critics poll as one of the ten best films ever made, Stanley Kubrick's 2001: A Space Odyssey has nonetheless baffled critics and filmgoers alike.
To coincide with the recent DVD release of The Spirit of the Beehive, this paperback collection of essays focuses on the work of acclaimed Spanish director, Victor Erice.
Since the early 1980s, Jim Jarmusch has produced a handful of idiosyncratic films that have established him as one of the most imaginatively allusive directors in the history of American cinema.
Widely regarded as a turning point in American independent cinema, Steven Soderbergh's sex, lies, and videotape (1989) launched the career of its twenty-six-year-old director, whose debut film was nominated for an Academy Award and went on to win the Cannes Film Festival's top award, the Palme d'Or.
In the first book devoted to Charles Burnett, a crucial figure in the history of American cinema often regarded as the most influential member of the L.
Belligerent and evasive, Josef von Sternberg chose to ignore his illegitimate birth in Austria, deprived New York childhood, abusive father, and lack of education.
The shower scene in Psycho; Cary Grant running for his life through a cornfield; innocent birds lined up on a fence waiting, watching these seminal cinematic moments are as real to moviegoers as their own lives.
In eleven feature films across two decades, Christian Petzold has established himself as the most critically celebrated director in contemporary Germany.
Lone Scherfig was the first of a number of women directors to take up the challenge of Dogme, the back-to-basics, manifesto-based, rule-governed, and now globalized film initiative introduced by Danish filmmakers Lars von Trier and Thomas Vinterberg in 1995.
