A blazingly original history celebrating the persistence of queerness onscreen, behind the camera, and between the lines during the dark days of the Hollywood Production Code.
Long considered a figurehead of family values and wholesome adolescence, the Disney franchise has faced increasing criticism over its gendered representations of children in film, its stereotypical representations of race and non-white cultures, and its emphasis on the heterosexual couple.
Out of print for years and newly retitled and expanded, this deluxe new edition of Gifford's celebrated handbook unlocks the secrets of noir movies and their relevance todayFor a tour ofnoircinema, No Daylight in That Faceis the perfect companion, and Barry Gifford is an ideal guide.
Based on close readings of three major sitcoms, this book unpacks how sitcoms understand later life sexualities and focusses on how they represent sexually active older adults.
Immerse yourself in the groundbreaking artistic vision of Sameh AL Tawil, the renowned Egyptian-German multimedia artist whose work transcends conventional boundaries of medium and expression.
Women are noticeably marginalized from the Latin American film industry, with lower budgets and inadequate distribution, and they often rely on their creativity to make more interesting films.
In Pixar and the Aesthetic Imagination, Eric Herhuth draws upon film theory, animation theory, and philosophy to examine how animated films address aesthetic experience within contexts of technological, environmental, and sociocultural change.
The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish outsiders to shape mainstream culture.
The Costumes of Hollywood details the design, creation, and influence of over 100 ensembles from some of the most iconic designers, films, and roles in Hollywood history, spanning the 1920s through the early 21st century.
This book is about what it takes to be a producer, the person responsible for getting a project off the ground and seeing it through to a conclusion sometimes years after things got started.
Based on close readings of three major sitcoms, this book unpacks how sitcoms understand later life sexualities and focusses on how they represent sexually active older adults.
Using examples and hard-earned experiences from the Author's courses and lectures at the esteemed MFA in Documentary Film Program at Stanford University, A Guide to (Short) Documentary Filmmaking: Creating Artful Short Documentary Films explores what is unique about the short-form documentary and guides the reader through the process - from ideation to completion and distribution.
Since the mid-eighties, more audiences have been watching Hollywood movies at home than at movie theaters, yet little is known about just how viewers experience film outside of the multiplex.
Both politically and aesthetically, the contemporary German and Austrian film landscape is a far cry from the early days of the medium, when critics like Siegfried Kracauer produced foundational works of film theory amid the tumult of the early twentieth century.
This in-depth look at Hollywood director King Vidor's complex career follows Vidor from his first attempts to rival Hollywood in his home state of Texas through his fifty-year-long struggle with the "e;classic"e; Hollywood studio system.
This in-depth look at Hollywood director King Vidor's complex career follows Vidor from his first attempts to rival Hollywood in his home state of Texas through his fifty-year-long struggle with the "e;classic"e; Hollywood studio system.
In an epilogue provided for his incomparable study of Akira Kurosawa (1910-1998), Donald Richie reflects on Kurosawa's life work of thirty feature films and describes his last, unfinished project, a film set in the Edo period to be called The Ocean Was Watching.
