This collection of essays analyzes film representations of the Crusades, other medieval East/West encounters, and the modern inheritance of encounters between orientalist fantasy and apocalyptic conspiracy.
Wife of the Life of the Party is the memoir of the late Lita Grey Chaplin (1908-1995), the only one of Chaplin's wives to have written an account of life with Chaplin.
This is the first book to explore the phenomenon of glamour and celebrity in contemporary Russian culture, ranging across media forms, disciplinary boundaries and modes of inquiry, with particular emphasis on the media personality.
FULLY REVISED AND UPDATED 2017 EDITIONThis comprehensively revised and expanded new edition of David Lawrenson`s bestselling book shows you how to buy the right property in the right location (including abroad), and how to maximise yield and capital gain - whatever the state of the market.
Biopics and other movies and television shows based on real events are increasingly appearing at the multiplex and on streaming platforms alongside blockbuster franchises and adaptations.
An innovative and original new study, Television, Memory and Nostalgia re-imagines the relationship between the medium and its forms of memory and remembrance through a series of case studies of British and North American programmes and practices.
From the ten scriptwriters at work to the scandal headlines of Munchkin orgies at the Culver City Hotel to the Witch's (accidental) burning, here is the real story of the making of The Wizard of Oz.
Nora Ephron famously claimed that she wrote about every thought that ever crossed her mind, from her divorce from Carl Bernstein (Heartburn) to the size of her breasts ("e;A Few Words About Breasts"e;).
In this book, John Corner explores how issues of power, form and subjectivity feature at the core of all serious thinking about the media, including appreciations of their creativity as well as anxiety about the risks they pose.
Consistently ranked as one of the best Canadian movies of all time, punk-rock mockumentary Hard Core Logo (1996) documents the last-ditch reunion tour of an aging rock band led by vocalist Joe Dick (Hugh Dillon).
Applying Deleuze's schizoanalytic techniques to film theory, Deleuze and the Gynesis of Horror demonstrates how an embodied approach to horror film analysis can help us understand how film affects its viewers and distinguish those films which reify static, hegemonic, "e;molar"e; beings from those which prompt fluid, nonbinary, "e;molecular"e; becomings.
This book traces the development of investigative cinema, whose main characteristic lies in reconstructing actual events, political crises, and conspiracies.
Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common.
For much of the 20th century, the underground pornography industry - made up of amateurs and hobbyists who created hardcore, explicit "e;stag films"e; - went about its business hounded by reformers and law enforcement, from local police departments all the way up to the FBI.
It was believed that September 11th would make certain kinds of films obsolete, such as action thrillers crackling with explosions or high-casualty blockbusters where the hero escapes unscathed.
This updated and expanded edition gives critical analyses of 23 Latin American films from the last 20 years, including the addition of four films from Bolivia.
The financial collapse of 2008 extended and deepened a prolonged, multilayered crisis that has transformed, often in unexpected ways, how we think about all aspects of social life.
During the first fifty years of the American cinema, the act of going to the movies was a risky process, fraught with a number of possible physical and moral dangers.
Whether it's television, radio, concerts, live appearances by comedians, Internet websites, or even the political party conventions themselves, the mixing of politics and popular culture is frequently on display.
This book presents an extended account of the language of dystopia, exploring the creativity and style of dystopian narratives and mapping the development of the genre from its early origins through to contemporary practice.
Discover the cinema-novelization of Arthur Miller's 1961 American western film, The Misfits, which was directed by John Huston and went on to be one of the most popular cult films of the 1960s.
In the French filmmaker Robert Bresson's cinematography, the linkage of fragmented, dissimilar images challenges our assumption that we know either what things are in themselves or the infinite ways in which they are entangled.
Wonder Woman was created in the early 1940s as a paragon of female empowerment and beauty and her near eighty-year history has included seismic socio-cultural changes.
A top vaudeville comedian for the first quarter of the 20th century, Harry Langdon rose from performing in Midwest traveling shows to headlining at the Palace Theatre in New York City.
Media Law for Producers is a comprehensive handbook that explains, in lay terms, the myriad legal issues that the producer will face on a regular basis - contracts, permits, defamation, patents, releases and insurance, libel, royalties and residuals, as well as protecting the finished production.
LONGLISTED FOR THE DIVERSE BOOK AWARDS 2023SECOND PLACE WINNER IN THE FAN VOTED READERS' CHOICE AWARDS 2023'An empowering read' SABAH CHOUDREY'My new favourite children's book!
The Lola film is a distinct subgenre of the woman's film in which woman's claim to pleasure is entertained without recourse to the figure of the femme fatale.
Part memoir, part primer, part cautionary tale, this book takes the reader along on a filmmaker's 12-year journey through Hollywood Hell, culminating in the movie Angels In Stardust (2016), starring Alicia Silverstone, AJ Michalka and Billy Burke.