Lynne Ramsay's bleak yet beautifully photographed debut unflinchingly portrays life on a Glasgow housing estate during the 1973 refuse collectors' strike, as seen through the eyes of 12-year-old James Gillespie (William Eadie).
Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan's most successful film, and one of the top-grossing 'foreign language' films ever released.
Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan's most successful film, and one of the top-grossing 'foreign language' films ever released.
Fellini's La dolce vita has been a phenomenon since before it was made, a scandal in the making and on release in 1960 and a reference point ever since.
Fellini's La dolce vita has been a phenomenon since before it was made, a scandal in the making and on release in 1960 and a reference point ever since.
Drawing on film theory, literary modernism, psychology and art history, Fields of View elucidates an expanded network of connections between avant-garde film and wider culture.
Drawing on film theory, literary modernism, psychology and art history, Fields of View elucidates an expanded network of connections between avant-garde film and wider culture.
Ritwik Ghatak's The Cloud-Capped Star (Meghe Dhaka Tara, 1960) has been hailed as 'one of the great classics of world cinema' (Adrian Martin), and 'one of the five or six greatest melodramas in cinema history' (Serge Daney).
Ritwik Ghatak's The Cloud-Capped Star (Meghe Dhaka Tara, 1960) has been hailed as 'one of the great classics of world cinema' (Adrian Martin), and 'one of the five or six greatest melodramas in cinema history' (Serge Daney).
"e;It may be the most sophisticated political thriller ever made in Hollywood,"e; film critic Pauline Kael wrote of John Frankenheimer's terrifying 1962 political thriller about an American serviceman brainwashed in Korea and made into an assassin.
"e;It may be the most sophisticated political thriller ever made in Hollywood,"e; film critic Pauline Kael wrote of John Frankenheimer's terrifying 1962 political thriller about an American serviceman brainwashed in Korea and made into an assassin.
Orson Welles' classic 1958 noir movie Touch of Evil, the story of a corrupt police chief in a small town on the Mexican-American border, starring Charlton Heston, Janet Leigh and Marlene Dietrich, is widely recognised as one of the greatest noir films of Classical Hollywood cinema.
Matthew Solomon's study of Chaplin's The Gold Rush (1925) provides an in-depth discussion of the film's production and reception history, placing it in the context of the turn-of-the-century Alaska Klondike gold rush, and analyses the film's narrative and formal features, particularly its references to music-hall performance styles and tropes.
Joseph Mankiewicz's romance, 'The Ghost and Mrs Muir', stars Gene Tierney as a widow who refuses to be frightened away from her seaside home by the ghost of a sea-captain, played by Rex Harrison.
Francis Ford Coppola's The Godfather (1972) marked a transition in American film-making, and its success as a work of art, as a creative 'property' exploited by its studio, Paramount Pictures; and as a model for aspiring auteurist film-makers changed Hollywood forever.
Joseph Mankiewicz's romance, 'The Ghost and Mrs Muir', stars Gene Tierney as a widow who refuses to be frightened away from her seaside home by the ghost of a sea-captain, played by Rex Harrison.
Offering a fresh perspective on The General, arguably one of the most successful American films of the silent era, this insightful text analyses its initial critical reception and the thematic and stylistic characteristics of the film that made it difficult for critics to appreciate at the time, but led to its celebration by later generations.
This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day.
ln this volume Tom Gunning examines the films of Fritz Lang not only as a stylistically coherent body of work, but as an attempt to portray the modern world through cinema.
ln this volume Tom Gunning examines the films of Fritz Lang not only as a stylistically coherent body of work, but as an attempt to portray the modern world through cinema.
In The Eloquence of the Vulgar, the distinguished academic Colin MacCabe reflects on cultural change from Shakespeare to Derek Jarman, on the institutional forms of knowledge, on the links between popular and elite art, and on the role of the intellectual in contemporary life.
In The Eloquence of the Vulgar, the distinguished academic Colin MacCabe reflects on cultural change from Shakespeare to Derek Jarman, on the institutional forms of knowledge, on the links between popular and elite art, and on the role of the intellectual in contemporary life.
For the first time in one volume, this book presents in concise, chronological form, Sergei Eisenstein's most significant work, including his famous theories of montage and articles on subjects as diverse as sound, film language and Russian history.
For the first time in one volume, this book presents in concise, chronological form, Sergei Eisenstein's most significant work, including his famous theories of montage and articles on subjects as diverse as sound, film language and Russian history.
Provocative polemic on digital media; Features foreword by Martin Scorsese, extract overleaf; It is estimated that about one and a half billion hours of moving images were produced in 1999, twice as many as a decade before.
Provocative polemic on digital media; Features foreword by Martin Scorsese, extract overleaf; It is estimated that about one and a half billion hours of moving images were produced in 1999, twice as many as a decade before.
