Films, cinema

Los doce capitulos que componen este libro estan orientados a pensar los dialogos que se entretejen entre el pensamiento y la imagen a partir de dos conceptos.

This book pioneers a comprehensive exploration of how Black women educators navigate societal stigmas surrounding their natural hairstyles.

Providing a rare example of a national cinema that has managed to overturn the prevailing global paradigm of Hollywood dominance, South Korean films are nevertheless still haunted by the peninsula's earlier colonial history.

In this fourth edition of the industry staple, veteran media executives Jeffrey C.

In this fourth edition of the industry staple, veteran media executives Jeffrey C.

Providing a rare example of a national cinema that has managed to overturn the prevailing global paradigm of Hollywood dominance, South Korean films are nevertheless still haunted by the peninsula's earlier colonial history.

This book pioneers a comprehensive exploration of how Black women educators navigate societal stigmas surrounding their natural hairstyles.

Unlike editing, decoupage does not take place after the film has been shot, but before.

The challenges of teaching history are acute where we consider the world history classroom.

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ReVisions examines speculative fiction, film, and television created by artists in Canada and reflecting their distinct experiences.

Despite its necessary centrality within the genre, the concept of the victim has not received much direct attention within the field of horror studies.

Despite its necessary centrality within the genre, the concept of the victim has not received much direct attention within the field of horror studies.

Peter Sellers first pratfalled onto the silver screen as the bumbling Inspector Jacques Clouseau in 1963's The Pink Panther, turning him into an international comedy superstar.

Com ha mirat Mallorca, el cinema?

In Cinemas of Bisexual Transgression, Jacob Engelberg makes the case for radically recalibrating queer film studies, taking as a starting point those cinematic figures who resist categorization within the gay-straight binary.

In this illuminating book, Clint Burnham invites the reader to consider humanity's relationship with the world around us, using a unique blend of Lacanian psychoanalysis, literary criticism, and visual art to hold a mirror up to our own implications in the mounting climate crisis.

In this illuminating book, Clint Burnham invites the reader to consider humanity's relationship with the world around us, using a unique blend of Lacanian psychoanalysis, literary criticism, and visual art to hold a mirror up to our own implications in the mounting climate crisis.

This book traces the intertextual genealogy behind Netflix’s new series Ripley, directed by Steve Zaillian, and offers a critical examination of Tom Ripley’s enduring appeal across different media.

"e;Los amantes, dice John Berger, plantean una tregua frente al dolor del mundo.

Toute conception du generique pose le probleme du commencement.

Few filmmakers have made such a seismic impact on Hollywood during the past two decades as Christopher Nolan.

Ground breaker.

ENGThis book interrogates the relations between nostalgias of today and past utopias in the context of the space age of the 20th century and its cinematic representations in the USSR and in post-Soviet Russia.

The collection of essays brings together texts from two decades, documenting two of the author's ongoing areas of interest: the poetics of colour in film as well as affective viewer responses.

The collection of essays brings together texts from two decades, documenting two of the author's ongoing areas of interest: the poetics of colour in film as well as affective viewer responses.

This book deals with the 1980s - the "e;golden decade"e; of Hong Kong pop culture - in which a cosmopolitan lifestyle of pop and chic emerged in the city.

This book deals with the 1980s - the "e;golden decade"e; of Hong Kong pop culture - in which a cosmopolitan lifestyle of pop and chic emerged in the city.

Go behind the scenes of Hollywood's horror and science fiction classics (and classic schlock) in Tom Weaver's 13th compilation of confrontations with their makers: more than 25 writers, producers, directors, actors and more.

Film Festivals, Ideology and Italian Art Cinema is the first systematic study of the role ideology plays in film festivals' construction of dominant ideas about art cinema.

In Intimate Visualities and the Politics of Fandom in India, Gerritsen explores the circulation of images of a movie star named Rajinikanth.

In the wake of the explosion in the production of essay films over the last 25 years and its subsequent theorization in scholarly literature, this volume seeks to historicize these intertwined developments within the 'long duree' of the 20th century and into the 21st.

Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability rethinks theory and style through films that bring the limits of traditional postcolonial frameworks into stark relief.

This exciting collection of unpublished essays on Ernst Lubitsch addresses multiple gaps in scholarly and critical engagement with the director.

The Work of Terrence Malick: Time-Based Ecocinema develops a timely ecocinema approach to film analysis illuminated by Benjamin's notion of the turn of time.

Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema.

While scholars have theorized major film festivals, they have ignored smaller, ephemeral, events.

The color films of French film director Robert Bresson (1901-99) have largely been neglected, despite the fact that Bresson himself considered them to be more fully realized reflections of his aspirations for the cinema.

Avant-garde filmmaker Bill Morrison has been making films that combine archival footage and contemporary music for decades, and he has recently begun to receive substantial recognition: he was the subject of a retrospective at the Museum of Modern Art, and his 2002 film Decasia was selected for the National Film Registry by the Library of Congress.

In the wake of the explosion in the production of essay films over the last 25 years and its subsequent theorization in scholarly literature, this volume seeks to historicize these intertwined developments within the 'long duree' of the 20th century and into the 21st.

Daniele Huillet and Jean-Marie Straub collaborated on films together from the mid-1960s through the mid-2000s, making formally radical adaptations in several languages of major works of European literature by authors including Franz Kafka, Bertolt Brecht, Friedrich Holderlin, Pierre Corneille, Arnold Schoenberg, Cesare Pavese, and Elio Vittorini.

Abel Gance's silent masterpiece, Napoleon, was given a limited run on its debut in 1927, but soon afterwards distributors in France and America, unwilling to deal with its nine-hour running time, subjected it to savage cuts - with devastating results for the movie and for film history.

This volume takes a fresh look at the various aesthetics emerging globally in the early sound film era, with a focus on the films' fundamentally experimental and inventive character.

Andrzej Zulawski (1940-2016) was born in Lwow, Poland (now Lviv, Ukraine) and educated in Paris.

After the First World War, the effects of financial crisis could be felt in all corners of the newly formed Weimar Republic.