The Sensory Child: Sight, Sound, Touch examines a poetic film form evident in contemporary cinema that seems intent on capturing the textures, the materials, and the sensations of childhood.
The Sensory Child: Sight, Sound, Touch examines a poetic film form evident in contemporary cinema that seems intent on capturing the textures, the materials, and the sensations of childhood.
Desde su aparición en la Italia del Renacimiento y durante su posterior formalización en Francia durante los siglos XVIII y XIX, el ballet o danza clásica utilizó la transmisión oral para difundirse como género danzario.
Homo Viator in Contemporary European Comedy Movies explores the popular yet critically underexamined theme of travel and vacation in European comedic cinema, while also engaging with urgent topics such as migration, displacement, and the refugee experience across various comic genres.
This book is the first comprehensive overview of the history of female-presenting AI and robots in US and UK live-action, science fiction films from 1949 to 2023.
This book is the first comprehensive overview of the history of female-presenting AI and robots in US and UK live-action, science fiction films from 1949 to 2023.
Homo Viator in Contemporary European Comedy Movies explores the popular yet critically underexamined theme of travel and vacation in European comedic cinema, while also engaging with urgent topics such as migration, displacement, and the refugee experience across various comic genres.
Inspired by her Wild About Horror segments on the Evolution of Horror Podcast, Psychoanalysing Horror Cinema sees Mary Wild investigate 50 films across six core subgenres-Mind, Body, Nature, Aliens, Vampires, and Home Invasion-through close readings of key titles including Mulholland Drive, Black Swan, Jaws, Predator, Twilight, and Misery.
Inspired by her Wild About Horror segments on the Evolution of Horror Podcast, Psychoanalysing Horror Cinema sees Mary Wild investigate 50 films across six core subgenres-Mind, Body, Nature, Aliens, Vampires, and Home Invasion-through close readings of key titles including Mulholland Drive, Black Swan, Jaws, Predator, Twilight, and Misery.
Following the national and international upheaval and tragedy in 1968, Mexican "e;trash cinema"e; began to shift away from the masked wrester genre and towards darker, more explicit films, and disturbing visions of the modern world: films which can be called "e;avant-exploitation.