Deftly deploying Derrida's notion of the 'unexperienced experience' and building on Paul Virilio's ideas about the aesthetics of disappearance, Vanishing Points explores the aesthetic character of presence and absence as articulated in contemporary art, photography, film and emerging media.
This collection of essays presents new formulations of ideas and practices within documentary media that respond critically to the multifaceted challenges of our age.
August Garry Herrmann entered the murky waters of 19th century machine politics in Cincinnati, serving as a trusted lieutenant to one of the most powerful political bosses in the country, George B.
The remarkable career of American actress Eve Arden (1908-1990) is thoroughly chronicled from her earliest stage work in 1926 (under her given name Eunice Quedens) to her final television role in a 1987 episode of Falcon Crest.
This book observes and analyzes transnational interactions of East Asian pop culture and current cultural practices, comparing them to the production and consumption of Western popular culture and providing a theoretical discussion regarding the specific paradigm of East Asian pop culture.
Ghost in the Well is the first study to provide a full history of the horror genre in Japanese cinema, from the silent era to Classical period movies such as Nakagawa Nobuo's Tokaido Yotsuya kaidan (1959) to the contemporary global popularity of J-horror pictures like the Ring and Ju-on franchises.
The Oxford Handbook of Dance and the Popular Screen sets the agenda for the study of dance in popular moving images - films, television shows, commercials, music videos, and YouTube - and offers new ways to understand the multi-layered meanings of the dancing body by engaging with methodologies from critical dance studies, performance studies, and film/media analysis.
This book brings together various theoretical approaches to Horror that have received consistent academic attention since the 1990s - abjection, disgust, cognition, phenomenology, pain studies - to make a significant contribution to the study of fictional moving images of mutilation and the ways in which human bodies are affected by those on the screen on three levels: representationally, emotionally and somatically.
The Western introduces the novice to the pleasures and the meanings of the Western film, shares the excitement of the genre with the fan, addresses the suspicions of the cynic and develops the knowledge of the student.
This enormous and exhaustive reference book has entries on every major and minor director of science fiction films from the inception of cinema (circa 1895) through 1998.
Using the most current and diverse critical methods, Where the Boys Are is a crucial resource for film scholars and students at any level, and is the perfect companion to Gateward and Pomerance's Sugar, Spice, and Everything Nice: Cinemas of Girlhood (Wayne State University Press, 2002).
With more and more filmmakers taking advantage of its rich and varied settings, New Orleans has earned star-studded status as the 'Hollywood of the South'.
It can be argued that cinema was created in France by Louis Lumiere in 1895 with the invention of the cinematographe, the first true motion-picture camera and projector.
This book presents a chronology of thirty definitions attributed to the word, term, phrase, and concept of "e;documentary"e; between the years 1895 and 1959.
Der Regisseur Luis García Berlanga (1921-2010) gilt neben Luis Buñuel und Juan Antonio Bardem als einer der Begründer des modernen spanischen Kinos, ist im deutschsprachigen Raum allerdings weitgehend unbekannt geblieben.
Horror films, books and video games engage their audiences through combinations of storytelling practices, emotional experiences, cognitive responses and physicality that ignite the sensorium--the sensory mechanics of the body and the intellectual and cognitive functions connected to them.
This book examines the collection of prayers known as the Qumran Hodayot (= Thanksgiving Hymns) in light of ancient visionary traditions, new developments in neuropsychology, and post-structuralist understandings of the embodied subject.
The Far Shore (1976), made under the direction of celebrated visual artist and experimental filmmaker Joyce Wieland, is one of Canada's most innovative contributions to cinema.
Celebrated actor, personality, and all-around nerd Wil Wheaton updates his memoir of collected blog posts with all new material and annotations as he reexamines one of the most interesting lives in Hollywood and fandom!
Elvis Presley musicals, beach romps, biker flicks, and alienated youth movies were some of the most popular types of drive-in films during the sixties.
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andre Bazin.
Leni Riefenstahl achieved fame as a dancer, actress, photographer, and director, but her entire career is colored by her association with the Nazi party.
Transgendered people face an array of interpersonal repudiations in their everyday lives, emanating from the political right through to the left, from social conservatives, various leading psychiatrists, radical feminists, as well as many lesbians and gays.
The Victorian and Edwardian eras in the run-up to 1914 marked the golden age of the English country house, when opulence and formality attained a level that would never be matched again.
Motion Illustration is a broad introduction to the emerging world of moving illustrations, written specifically for those coming from an illustration background.
Vertov, Snow, Farocki: Machine Vision and the Posthuman begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera.