'I love that I don't need to feel ashamed at my happiest, and that my joy no longer needs to go through a filter before it's ready to see the light of day'Laura Kate Dale and 15 other autistic authors from around the globe, open the door and invite you in to explore and celebrate the candid, uplifting and intimate moments of autistic joy.
Develop your creative voice whilst acquiring the practical skills and confidence to use it with this new and fully updated edition of Mick Hurbis-Cherrier's filmmaking bible, Voice & Vision.
Das Werk, das Chantal Akerman hinterlässt, umfasst nahezu fünfzig Filme – experimentelle und erzählende, dokumentarische und fiktionale, literarische und autobiografische Arbeiten, die für das Kino und für das Fernsehen ebenso wie als Installationen für den Ausstellungsraum entstanden sind.
Sportswomen in Cinema considers both documentary and fiction films from a variety of periods and cultures, by directors including Kathryn Bigelow, Gurinder Chadha, Im Soon-rye, George Kukor, Ida Lupino, and Leni Riefenstahl.
The Costumes of Hollywood details the design, creation, and influence of over 100 ensembles from some of the most iconic designers, films, and roles in Hollywood history, spanning the 1920s through the early 21st century.
This accessible book is an exploration of the condition of the director from an insider's perspective, discussing how directors survive and thrive in the immensely challenging environment of the film and television industry.
Cinematically Rendering Confucius marks the first book-length enquiry into China's first two big screen treatments of arguably the best-known and most influential thinker in world history: Confucius.
Mediating Presence: Immersive Experience Design Workbook for UX Designers, Filmmakers, Artists, and Content Creators provides the foundation for a broader understanding of the impact of XR as the next medium.
This book offers a consistent, theoretically grounded, accessible account of adaptation across a range of instances, employing Relevance Theory as its explanatory framework and arguing that every adaptation is an independent communicative act.
This title is part of UC Presss Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact.
Departing from those who define postmodernism in film merely as a visual style or set of narrative conventions, Anne Friedberg develops the first sustained account of the cinema's role in postmodern culture.
The expert contributors together trace how the arts of editingand effects have evolved in tandem, starting with the 'trick films'of the early silent era, which astounded audiences by splicingin or editing out key frames, all the way to today's cutting-edgeeffects technologies.
Personified Body Parts in Cinema, Literature, and Visual Culture investigates the power of personifying body parts in cinema, television, visual culture, literature, erotica, folklore, and mystique.
Sportswomen in Cinema considers both documentary and fiction films from a variety of periods and cultures, by directors including Kathryn Bigelow, Gurinder Chadha, Im Soon-rye, George Kukor, Ida Lupino, and Leni Riefenstahl.
The 21st-century has witnessed rapid advances in artificial intelligence, giving rise to a society at once hopeful but also mistrustful of the possibilities that this technology offers.
Digital Storytelling: A Creator's Guide to Interactive Entertainment, Volume I, fifth edition delves into the fascinating and groundbreaking stories enabled by interactive digital media, examining both fictional and non fiction narratives.
The Costumes of Hollywood details the design, creation, and influence of over 100 ensembles from some of the most iconic designers, films, and roles in Hollywood history, spanning the 1920s through the early 21st century.
With fresh appraisals of popular Westerns, this book examines the history of the genre with a focus on definitional aspects of canon, adaptation and hybridity.
Appalachia resides in the American imagination at the intersections of race and class in a very particular way, in the tension between deep historic investments in seeing the region as "e;pure white stock"e; and as deeply impoverished and backward.