Films, cinema

In the 21st century, blockbuster fantasy films have dominated film viewership in the United States.

In the 21st century, blockbuster fantasy films have dominated film viewership in the United States.

Cocteau had an ambition many a poet has: to become immortal.

Cocteau had an ambition many a poet has: to become immortal.

This book compares the ways in which the national media in two different countries construct (frame) and develop the image of the religious other, in this case Muslims in all their variety.

Voices from Ukraine takes you into the lives and experiences of journalists covering one of the most consequential wars of our time.

Voices from Ukraine takes you into the lives and experiences of journalists covering one of the most consequential wars of our time.

This book examines the intersection between Indian cinema (across geographic regions, languages and formats) and human rights.

This book examines the intersection between Indian cinema (across geographic regions, languages and formats) and human rights.

Navigating a polarized society in their representation of social values, twenty-first-century horror films critically frame conflicting and divisive ideological issues.

Navigating a polarized society in their representation of social values, twenty-first-century horror films critically frame conflicting and divisive ideological issues.

This book is the first monograph to critically evaluate the work of the literary scholar Rene Girard from the perspectives of Law and Literature and Law and Film Studies, two of the most multidisciplinary branches of critical legal theory.

This book is the first monograph to critically evaluate the work of the literary scholar Rene Girard from the perspectives of Law and Literature and Law and Film Studies, two of the most multidisciplinary branches of critical legal theory.

This book presents perspectives from South Asian countries, such as India, Nepal, Sri Lanka, Bangladesh, and Bhutan.

This book provides a thorough overview of the ostalgie films about the German Democratic Republic (GDR) produced since the 1990s.

This book explores issues of identity, ethics and epistemology that arise around the writing and reception of creative nonfiction.

This book shows that screens don't just distribute the visible and the invisible, but have always mediated our body's relationships with the physical and anthropological-cultural environment.

This book explores issues of identity, ethics and epistemology that arise around the writing and reception of creative nonfiction.

This book shows that screens don't just distribute the visible and the invisible, but have always mediated our body's relationships with the physical and anthropological-cultural environment.

This book highlights how horror in film and television creates platforms to address distinct areas of modern-day concern.

This book highlights how horror in film and television creates platforms to address distinct areas of modern-day concern.

Chinese martial arts cinema is held to be a synthesis drawing on artistic conventions of traditional Chinese theatre.

Chinese martial arts cinema is held to be a synthesis drawing on artistic conventions of traditional Chinese theatre.

This book presents perspectives from South Asian countries, such as India, Nepal, Sri Lanka, Bangladesh, and Bhutan.

In Indigenous North American film Native Americans tell their own stories and thereby challenge a range of political and historical contradictions, including egregious misrepresentations by Hollywood.

This book is the first one focusing on Chinese mainstream films from a cross-disciplinary perspective.

A Philosophical History of Documentary, 1960–1990 is the second book in a three-volume set.

In this volume, contributors explore the deep ideological polarization in US society as portrayed in horror narratives and tropes.

This book investigates the internationalization of Chinese culture in recent decades and the global dimensions of Chinese culture from comparative and interdisciplinary perspectives.

This book is the first one focusing on Chinese mainstream films from a cross-disciplinary perspective.

This book investigates the internationalization of Chinese culture in recent decades and the global dimensions of Chinese culture from comparative and interdisciplinary perspectives.

This book compares the ways in which the national media in two different countries construct (frame) and develop the image of the religious other, in this case Muslims in all their variety.

This book reviews the presentation of conjugal relationships in Chinese culture and their perception in the West.

Now that cinema is offline and online, the capacity of cinema to relate to philosophy and science has increased.

This book reviews the presentation of conjugal relationships in Chinese culture and their perception in the West.