Films, cinema

This book provides an overview of the current state of minority-language media, from policy formulation to practice, in various contexts around the world.

This book provides interdisciplinary perspectives on the work of the Japanese writer Haruki Murakami, with a particular focus on the conceptual material of his work.

There is currently a vigorous debate in film studies and related disciplines about the extent to which scientific paradigms like evolutionary psychology and neuroscience can explain the cinema and other artforms.

There is currently a vigorous debate in film studies and related disciplines about the extent to which scientific paradigms like evolutionary psychology and neuroscience can explain the cinema and other artforms.

A Philosophical History of Documentary, 1960–1990 is the second book in a three-volume set.

This book provides interdisciplinary perspectives on the work of the Japanese writer Haruki Murakami, with a particular focus on the conceptual material of his work.

This book examines representations of gender, age and identity across the Hallmark film and television output in relation to specific periods of time that pertain to changes within the specific entertainment sector.

This book examines representations of gender, age and identity across the Hallmark film and television output in relation to specific periods of time that pertain to changes within the specific entertainment sector.

The Dies Irae is a melody that composers of film music have employed in hundreds of films, ranging from Metropolis to The Shining, and Star Wars.

The Dies Irae is a melody that composers of film music have employed in hundreds of films, ranging from Metropolis to The Shining, and Star Wars.

This book provides an overview of the current state of minority-language media, from policy formulation to practice, in various contexts around the world.