This book helps readers understand Moonlight's profound political and social importance, the innovative technical choices adopted by director Barry Jenkins and the film's adoption and disruption of traditional coming-of-age themes through the specific prism of Chiron's childhood and youth.
This outstanding anthology offers an encyclopedic coverage of Chinese cinema from multiple angles, and will be the standard reference in Chinese cinema studies in the years to come.
With contributions from noted critics and film historians from both countries, this book, first published in 1994, examines some of the most innovative and disturbing propaganda ever created.
How have animation fans in Japan, South Korea, the United States, and Canada formed communities and dealt with conflicts across cultural and geographic distance?
The career of Christopher Lee has stretched over half a century in every sort of film from comedy to horror and in such diverse roles as the Man With the Golden Gun, Frankenstein's monster, Fu Manchu and Sherlock Holmes.
President Abraham Lincoln is the most frequently portrayed American historical figure in the history of the film and television arts, appearing onscreen as a character in more than 250 productions since the birth of the motion picture medium.
The first complete English translation of the Brontoscopic Calendar, providing an understanding of Etruscan Iron Age society as revealed through the ancient text.
Director and producer Tim Burton impresses audiences with stunning visuals, sinister fantasy worlds, and characters whose personalities are strange and yet familiar.
Since 2000, there has been a considerable effort in Turkish cinema to come to terms with the military's intervention in politics and subsequent national trauma.
Popular Music on Screen examines the relationship between popular music and the screen, from the origins of the Hollywood musical to contemporary developments in music television and video.
Becoming commercially available in the mid 1960s, video quickly became integral to the intense experimentalism of New York City's music and art scenes.
In Pixar and the Aesthetic Imagination, Eric Herhuth draws upon film theory, animation theory, and philosophy to examine how animated films address aesthetic experience within contexts of technological, environmental, and sociocultural change.
Vampires and the Making of the United States in the Twenty-First Century offers a unique and multifaceted study of how vampires on screen have shaped America and how specific environments here have shaped their vampires.
Cartoons-both from the classic Hollywood era and from more contemporary feature films and television series-offer a rich field for detailed investigation and analysis.
Howard Phillips Lovecraft was born late in the 19th century, but it was not until after his death in 1937 that he became a worldwide icon of horror and supernatural fiction.
The Cinema of the Precariat is the first book to lay out the incredible range of the precariat (the social class suffering from precarity) as well as a detailed report on the cinematic record of their work and lives.
Latinos have been part of the Hollywood film industry for more than 100 years, yet beyond the remarkable success of a few, their visibility and clout have generally not reflected their significance in American society.
Studying the Star Trek myth from the original 1960s series to the 2009 franchise-reboot film, this book challenges frequent accusations that the Star Trek saga refuses to represent queer sexuality.
This official history of the British Board of Film Classification (BBFC) draws on unprecedented access to the BBFC's archives to trace 100 years of film classification, with contributions from leading film critics and historians and case studies of controversial films such as Battleship Potemkin and A Clockwork Orange.
Black Venus is a feminist study of the representations of black women in the literary, cultural, and scientific imagination of nineteenth-century France.
Y Tu Mam Tambi n (2001), an intelligent and sensual road movie directed by Alfonso Cuar n and co-written by him and his brother Carlos, is both an acclaimed feature by a director who would go on to win Oscars and a box office success abroad and in its native Mexico, where it was the biggest grossing local film of all time.
Hollywood Knights examines Hollywood Arthuriana as political nostalgia offered to American viewers during times of cultural crisis: the red scare of the 1950s, the breakdown of traditional authority in the 1960s and 1970s, the turn to the right in the 1980s and the redemption of masculine and national authority in the 1990s.
The book reveals how the editor like a magician manipulates his audience by using sleight of hand and seduces them by anticipating their needs and desires.