Predramatic Theatre offers a fresh, innovative account of the drama of the period prior to the building of the professional playhouses read in the light of modern theories of the dramatic and postdramatic theatres.
Predramatic Theatre offers a fresh, innovative account of the drama of the period prior to the building of the professional playhouses read in the light of modern theories of the dramatic and postdramatic theatres.
This book offers the first full-length scholarly study of Sistren Theatre Collective, one of the most significant theatre companies in the history of Caribbean drama.
This book offers the first full-length scholarly study of Sistren Theatre Collective, one of the most significant theatre companies in the history of Caribbean drama.
The Russian Constitution guarantees freedom of thought, expression, and information to every citizen, prohibiting propaganda that incites social, racial, or religious hatred, and forbidding censorship.
The Russian Constitution guarantees freedom of thought, expression, and information to every citizen, prohibiting propaganda that incites social, racial, or religious hatred, and forbidding censorship.
This book collects together all contemporary and near-contemporary accounts of the 1467 emprise, a particular performative feat of arms, between Anthony Woodville, Lord Scales—brother of Elizabeth Woodville, wife of King Edward IV of England—and Antoine, ‘Grand Bastard of Burgundy,’ natural son of Duke Philip ‘the Good’ of Burgundy.
This book collects together all contemporary and near-contemporary accounts of the 1467 emprise, a particular performative feat of arms, between Anthony Woodville, Lord Scales—brother of Elizabeth Woodville, wife of King Edward IV of England—and Antoine, ‘Grand Bastard of Burgundy,’ natural son of Duke Philip ‘the Good’ of Burgundy.
Stanislavsky’s Use of Improvisation is the first work that brings together material across Stanislavsky’s entire career to survey his use of improvisation.
Stanislavsky’s Use of Improvisation is the first work that brings together material across Stanislavsky’s entire career to survey his use of improvisation.
This book provides a comprehensive overview of influential and popular Chinese drama actors and actresses, innovative directors, and emerging playwrights.
This book provides a comprehensive overview of influential and popular Chinese drama actors and actresses, innovative directors, and emerging playwrights.
Bei einem Blick auf virtuelle Realitäten im frühneuzeitlichen Theater gilt es, unsere vom digitalen Zeitalter geprägten Konzepte der Virtualität und Präsenz zu revidieren.
Bei einem Blick auf virtuelle Realitäten im frühneuzeitlichen Theater gilt es, unsere vom digitalen Zeitalter geprägten Konzepte der Virtualität und Präsenz zu revidieren.
While British drama of the long eighteenth century remains largely unexamined as registering ecological fears, its visual spectacle and settings allow the audience to grasp threats to environments across the globe.
While British drama of the long eighteenth century remains largely unexamined as registering ecological fears, its visual spectacle and settings allow the audience to grasp threats to environments across the globe.
This collection of essays, covering a broad historical range, shows that women working in theatre and drama since the time of Aphra Behn have been engaged in pushing the boundaries of conventional representation and dramaturgical convention.
This collection of essays, covering a broad historical range, shows that women working in theatre and drama since the time of Aphra Behn have been engaged in pushing the boundaries of conventional representation and dramaturgical convention.
Defining class broadly as an identity categorization based on status, wealth, family, bloodlines, and occupation, Intersectionalities of Class in Early Modern English Drama e xplores class as a complicated, contingent phenomenon modified by a wider range of social categories apart from those defining terms, including, but not limited to, race, gender, religion, and sexuality.
Defining class broadly as an identity categorization based on status, wealth, family, bloodlines, and occupation, Intersectionalities of Class in Early Modern English Drama e xplores class as a complicated, contingent phenomenon modified by a wider range of social categories apart from those defining terms, including, but not limited to, race, gender, religion, and sexuality.
This book incorporates a wide theoretical, cultural, literary and historical engagement in exploring the tension between dramatic productions and the forms of censorship they encounter from creation to reception.
This book incorporates a wide theoretical, cultural, literary and historical engagement in exploring the tension between dramatic productions and the forms of censorship they encounter from creation to reception.
This book tracks dramaturgical affinities between some of Bernard Shaw’s late “extravagant” plays and those of Noël Coward, in particular their recasting of one another’s style and the tradition of manners comedy.
This book tracks dramaturgical affinities between some of Bernard Shaw’s late “extravagant” plays and those of Noël Coward, in particular their recasting of one another’s style and the tradition of manners comedy.
For viewers who experience autism, bipolar disorder, depression, obsessive-compulsive disorder or other cognitive variations, television storytelling offers opportunities to empathize with characters portraying neurodiversity.
Staging the Ghost Story is the first book to offer a critical appraisal of the centuries-long relationship between the ghost story and the English stage.
Staging the Ghost Story is the first book to offer a critical appraisal of the centuries-long relationship between the ghost story and the English stage.
Performance Dynamics and the Amsterdam Werkteater offers an in-depth exploration of one of the most innovative theater companies of the 20th century, charting its origins, methods, and profound impact on modern performance art.
