History of Performing Arts

In past decades portrayals of mental illness on television were limited to psychotic criminals or comical sidekicks.

Called "e;The Poet Laureate of Radio"e; by critics, Norman Corwin was the top writer at CBS when CBS reigned supreme in radio, and when radio itself dominated public attention.

Orphan Black's Tatiana Maslany plays a host of the show's main characters, all clones of an illegal experiment.

Born in rural Ohio in 1897, Beryl Halley was educated at a strict Freewill Baptist school.

When radio broadcasting began in the early 1920s, the radio was a magic box aglow with the future, drawing humanity into a new age.

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This volume is the sixteenth in a series dedicated to presenting the latest findings in the fields of comparative drama, performance, and dramatic textual analysis.

Edwin Forrest was the foremost American actor of the nineteenth century.

The great nineteenth-century stage actor Edwin Booth began his long career in 1849 as a young teenager, following in his father's footsteps.

A reflection on one of Broadway's most iconic flops, this memoir follows a musical that featured one of the silver screen's most powerful personalities.

The Wild Wild West premiered on CBS in 1965, just as network dominance of television Westerns was waning and the global James Bond phenomenon was in full force.

What comes to mind when you think about superheroes?

Start your engines--for the fun, controversy and life lessons of RuPaul's Drag Race and its spinoff, RuPaul's DragU.

The West Wing, first broadcast in 1999, is thought by many to have been one of the most significant dramas shown on network television.

While Richard Nixon's accomplishments and shortcomings are well-documented, one often ignored aspect of his career is his influence on the media conduct of politicians.

This collection of new essays examines how the injection of supernatural creatures and mythologies transformed the hugely popular crime procedural television genre.

This first-ever biography exploring the life of Ping Chong (1946), successful avant-garde artist and Presidential Medal of Freedom recipient, focuses on his valuable contributions to modern theatre.

Both in life and death, Queen Victoria is among the most popular monarchs to be committed to film.

Published for the first time, the history of the CIA's clandestine short-wave radio broadcasts to Eastern Europe and the USSR during the early Cold War is covered in-depth.

Launched in 1977 by the Christian Broadcasting Service (originally associated with Pat Robertson), the ABC Family/Freeform network has gone through a number of changes in name and ownership.

When the Television Food Network launched in 1993, its programming was conceived as educational: it would teach people how to cook well, with side trips into the economics of food and healthy living.

Over the past half-century Doctor Who has defined science fiction television.

The CW's hit adaptation of Supergirl is a new take on the classic DC character for a new audience.

Pencils down--graphite and eyebrow--and eyes to front of the room for this one-of-a-kind lesson.

Fan CULTure explores how present-day fans interact with the films, television shows, books, and pop culture artifacts they love.

During the era often commonly known as McCarthyism, many motion picture and television creators were blacklisted for supposed communist ties.

The year 1966 was when many TV viewers all over America discovered the wonders of "e;in living color.

The Wire's provocative subject matter, layered narrative and explicit critiques of American socio-economic institutions make it one of the most teachable television series in recent years.

This collection of new essays focuses on The CW network's hit television series Arrow--based on DC Comic's Green Arrow--and its spin-offs The Flash, DC's Legends of Tomorrow and Supergirl.

Before stories of King Arthur and Robin Hood were adapted and readapted for film, television and theater, radio scriptwriters looking for material turned to Thomas Malory's Le Morte Darthur (1485) and Howard Pyle's The Merry Adventures of Robin Hood (1883).

Much has been written about the Walt Disney Company's productions, but the focus has largely been on animation and feature film created by Disney.

In many pop culture texts, "e;monsters"e; can be read as metaphors for marginalized Others in U.

As television grew more enticing for both viewers and filmmakers in the 1950s, several independent film producers with knowledge of making low-cost films and radio shows transferred their skills to producing shows for the small screen.

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Angels in America was one of the most significant pieces of American theatre in the 20th Century.

Most of the books that have been written about territorial Arizona and the southwest focus on the Indian Wars, outlaws, violent crimes, gambling, saloons, and bawdy houses.

Hamlet stands as a high water mark of canonical art, yet it has equally attracted rebels and experimenters, those avant-garde writers, dramatists, performers, and filmmakers who, in their adaptations and appropriations, seek new ways of expressing innovative and challenging thoughts in the hope that they can change perceptions of their own world.

Be they actors, comedians, singers, dancers, or talk show hosts and personalities, everyone from George Burns and Milton Berle to Jack Benny and Jackie Gleason to Sid Caesar and Caesar Romero ignited their own particular brand of ';man-erisms.

This enlightening book is the go-to guide for fans for biographical information, rare photos, and interesting trivia about their favorite child stars, shows, series, networks, and the times that defined the shows.

Kathy Garver, the teenage heartthrob from the hit series Family Affair (19661971), was no one-hit wonder, but a journeywoman actress who appeared in such classic films as Night of the Hunter and The Ten Commandments long before she became a television icon.

Few morose thoughts permeate the brain when Yosemite Sam calls Bugs Bunny a ';long-eared galut' or a frustrated Homer Simpson blurts out his famous catch-word, ';D'oh!

This book considers the influence that sixteenth-century and early seventeenth-century mathematical thinking exerted on the writing and production of popular drama between about 1587 and 1603.

This book is notable for bringing together humanist schooling and familial instruction under the banner of emotions and for studying seminal works of early modern literature within this new analytical context.

This book argues that African American theatre in the twentieth century represented a cultural front of the civil rights movement.

In Sex, Class and the Theatrical Archive: Erotic Economies, Alan Sikes explores the intersection of struggles over sex and class identities in politicized performances during key revolutionary moments in modern European history.

This textbook provides a global, chronological mapping of significant areas of theatre, sketched from its deepest history in the evolution of our brain's 'inner theatre' to ancient, medieval, modern, and postmodern developments.

This book revisits In-Yer-Face theatre, an explosive, energetic theatrical movement from the 1990s that introduced the world to playwrights Sarah Kane, Martin McDonagh, Mark Ravenhill, Jez Butterworth, and many others.

The Digital Parisian Stage Project aims to compile a corpus of plays that are representative of performances in the theaters of Paris through history.

The future of theatre history studies requires consideration of theatre as a global phenomenon.

In the first book-length study of the work and legacy of West End actor-manager George Alexander since the 1930s, George Alexander and the Work of the Actor Manager examines the key part this figure played in presenting new drama by authors including Oscar Wilde and Henry James.