This text analyzes the cultural work of spectacular suffering in contemporary discourse and late-medieval France, reading recent dramatizations of torture and performances of self-mutilating conceptual art against late-medieval saint plays.
This book is the first comprehensive critical assessment of the aesthetic and social ideals of Lady Augusta Gregory, founder, patron, director, and dramatist of the Abbey Theatre in Dublin.
Die Verteidigung der Demokratie beginnt nicht irgendwo „da oben“, wo man sie an Parteien, Medien und Institutionen delegieren kann, sondern bei uns selber, spätestens dann, wenn wir wieder das offene Wort suchen.
Can postmodern accounts of the gaze - deriving from the psychoanalytic theories of Freud, Lacan, Fanon, and Riviere - tell us anything about those structures of vision prior to, and repressed by, modernity?
Renaissance Earwitnesses examines how maintaining masculinity on the early modern stage is intimately tied to 'earwitnessing,' or a sense of 'judicious listening' in his reading of plays by Marlowe, Shakespeare, Cary, and Jonson.
This innovative account of the Gilbert and Sullivan partnership provides a unique insight into the experience of both attending and performing in the original productions of the most influential and enduring pieces of English-language musical theatre.
Since its publication in 1929, the story of Dona Barbara has haunted the collective Latin-American imagination, and has been adapted variously both for the small and big screen.
From Archibald MacLeish to David Sedaris, radio storytelling has long borrowed from the world of literature, yet the narrative radio work of well-known writers and others is a story that has not been told before.
This volume is the first to offer a comprehensive critical examination of the intersections between contemporary ethical thought and post-1989 British playwriting.
This fascinating study explores the multifarious erotic themes associated with the magic lantern shows, which proved the dominant visual medium of the West for 350 years, and analyses how the shows influenced the portrayals of sexuality in major works of Gothic fiction.
An account of language and drama between 1945 and 2005, synthesizing linguistic and dramatic knowledge in order to illuminate the ways in which anxieties and attitudes toward language manifest themselves in discourses on and around English theatre of the time, and how these anxieties and attitudes reflect back through the theatre of this period.
In Staging Politics and Gender , Cecilia Beach examines the political and feminist plays of French playwrights who have largely been overlooked until now.
Launched in 1977 by the Christian Broadcasting Service (originally associated with Pat Robertson), the ABC Family/Freeform network has gone through a number of changes in name and ownership.
The Colonial Public and the Parsi Stage is the first comprehensive study of the Parsi theatre, colonial South and Southeast Asia's most influential cultural phenomenon and the precursor of the Indian cinema industry.
This book combines the insights of thirteen Shavian scholars as they examine the themes of marriage, relationships and partnerships throughout all of Bernard Shaw's major works.
This book examines the influence of the early modern period on Antonin Artaud's seminal work The Theatre and Its Double, arguing that Elizabethan and Jacobean drama and their early modern context are an integral part of the Theatre of Cruelty and essential to its very understanding.
Among professional storytellers whose works have been adapted for cinematic dramatization, mid-19th century English novelist Charles Dickens stands in a class of his own.
Theatre in America has had a rich historyfrom the first performance of the Lewis Hallam Troupe in September 1752 to the lively shows of modern Broadway.
This book examines the intersection between sound and modernity in dramatic and musical performance in Manila and the Asia-Pacific between 1869 and 1948.
Das Kleist-Jahrbuch 2020 dokumentiert die Verleihung des Kleist-Preises 2019 mit den Reden der Preisträgerin Ilma Rakusa, der Vertrauensperson der Jury Yoko Tawada und des Präsidenten der Heinrich-von-Kleist-Gesellschaft Günter Blamberger.
As readers head into the second fifty years of the modern critical study of blackness and black characters in Renaissance drama, it has become a critical commonplace to note black female characters' almost complete absence from Shakespeare's plays.
Published for the first time, the history of the CIA's clandestine short-wave radio broadcasts to Eastern Europe and the USSR during the early Cold War is covered in-depth.
Viewers spend years laughing, crying, celebrating, and mourning with their favorite TV characters, but when those characters are promiscuous women, different viewers may have very different reactions.
Capitalizing on thousands of feet of accumulated footage captured by combat camera crews during the early years of the Korean War, a small group of US Army officers conceptualized a film series that would widen viewers understanding of the service and its mission.