In November 1969, what Time Magazine called the "e;largest battle of the year"e; took place less than two miles from the Vietnamese Demilitarized Zone.
Britain's peacekeeping role in Southeast Asia after World War II was clear enough but the purpose of the Commonwealth in the region later became shadowy.
As a first lieutenant in Bravo Company of the Third Battalion, 187th Infantry, Frank Boccia led a platoon in two intense battles in the Vietnamese mountains in April and May 1969: Dong Ngai and the grinding, 11-day battle of Dong Ap Bia--the Mountain of the Crouching Beast, in Vietnamese, or Hamburger Hill as it is popularly known.
In 1968, Theodore Hammett entered a war he believed was wrong, pressured by his father's threat to disown him if he withdrew from a Marine Corps officer candidate program.
Before unmanned combat drones, there was the Grumman OV-1C Mohawk, a twin-engine turboprop fixed-wing reconnaissance aircraft loaded with state-of-the-art target detection systems.
During the first half of 1969, Bravo Troop, 3rd Squadron, 4th Cavalry, 25th Infantry Division operated northwest of Saigon in the vicinity of Go Dau Ha, fighting in 15 actions on the Cambodian border, in the Boi Loi Woods, the Hobo Woods and Michelin Rubber Plantation and on the outskirts of Tay Ninh City.
A cinematic and vibrant coming-of-age memoir, Chasing the Panther captures the thrilling and, at times, heartbreaking early years of Carolyn Pfeiffer, a pioneering film producer and one of Hollywood's first female executivesa ';mini-mogul' in the words of the Wall Street Journal.
Providing one of the first critically sustained engagements with the new forms of verbatim and testimonial theatre that emerged in the late 1990s and early 2000s, this book examines what distinguishes verbatim theatre from the more established documentary theatre traditions developed initially by Peter Weiss, Bertolt Brecht and Erwin Piscator.
This book explores the development of Robert Lepage's distinctive approach to stage direction in the early (1984-1994) and middle (1995-2008) stages of his career, arguing that globalisation had a defining effect on shaping his aesthetic and his professional trajectory.
The unimagined community proposes a reexamination of the Vietnam War from a perspective that has been largely excluded from historical accounts of the conflict, that of the South Vietnamese.
Idols of the Odeons examines British film stardom in the post-war era, a time when Hollywood movies were increasingly supplanting the Pinewood/Elstree studio system.
This book explores the development of Robert Lepage's distinctive approach to stage direction in the early (1984-1994) and middle (1995-2008) stages of his career, arguing that globalisation had a defining effect on shaping his aesthetic and his professional trajectory.
As the Kremlin's crackdown on freedom of expression continues to tighten, Russian playwrights and directors are using documentary theatre to create space for the public discussion of injustice in the civic sphere and its connections to the country's twentieth-century past.
As the Kremlin's crackdown on freedom of expression continues to tighten, Russian playwrights and directors are using documentary theatre to create space for the public discussion of injustice in the civic sphere and its connections to the country's twentieth-century past.
For many in the West, North Korea is a secretive, reclusive, and enigmatic country, a rogue state that threatens the world with its nuclear program and ballistic missiles.
In February 1971, the Army of the Republic of Vietnam (ARVN) launched an incursion into Laos in an attempt to cut the Ho Chi Minh Trail and destroy North Vietnamese Army (NVA) base areas along the border.
Fallujah Redux is the first book about the Fallujah Awakening written by Operation Iraqi Freedom military veterans who served there, providing a comprehensive account of the turning of Fallujah away from the al-Qaeda insurgency in 2007.
Benvenuto Cellini was a celebrated Renaissance sculptor and goldsmith; a passionate craftsman who was admired and resented by the most powerful political and artistic personalities in sixteenth-century Florence, Rome and Paris.
Beyond representation explores whether the last thirty years witnessed signs of 'progress' or 'progressiveness' in the representation of 'marginalised' or subaltern identity categories within television drama in Britain and the US.