Als viertes von fünf Kindern in einfachsten Verhältnissen geboren, wächst Schwill als Waisenkind in Kinderheimen auf, kommt sogar in ein Heim für Schwererziehbare.
Rolf Ludwigs Leben verlief nicht ohne Umwege und Schicksalsschläge, war aber auch reich an glänzenden Erfolgen, herausfordernden Aufgaben und Glückszufällen.
Herbert Köfers Laufbahn begann mit einer vor den Eltern verheimlichten Bewerbung des Sechzehnjährigen an der Schauspielschule; heute ist er der älteste aktive Schauspieler und als solcher im Guinnessbuch der Rekorde verzeichnet.
This book offers an analysis of public service broadcasting (PSB) in European Countries that highlights the issues - both legal and not - currently facing PSB.
Performing Music History offers a unique perspective on music history and performance through a series of conversations with women and men intimately associated with music performance, history, and practice: the musicians themselves.
This book reflects the changes in technology and educational trends (cross-disciplinary learning, entrepreneurship, first-year learning programs, critical writing requirements, course assessment, among others) that have pushed theatre educators to innovate, question, and experiment with new teaching strategies.
This book addresses the notion posed by Thomas Kilroy in his definition of a playwright's creative process: 'We write plays, I feel, in order to populate the stage'.
***Ein kämpferisches Leben zwischen Lindenstraße und Christopher Street***Der erste Kuss zweier Männer in einer deutschen Fernsehserie machte Georg Uecker, alias Dr.
Beckett's plays have attracted a striking range of disability performances - that is, performances that cast disabled actors, regardless of whether their roles are explicitly described as 'disabled' in the text.
Alternative Comedy Now and Then: Critical Perspectives is the first academic collection focusing on the history and legacy of the alternative comedy movement in Britain that began in 1979 and continues to influence contemporary stand-up comedy.
This monograph presents a specific experience of modernity within the context of Indian dance by looking at the transcultural journey of Indian dancer / choreographer Uday Shankar (1900b - 1977d).
Kinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and breaking dancers and cross-disciplinary explication of kinaesthesia and visual self-reflection discourses.
The voices that are represented in this collection come from various parts of the world and express the views of practitioners and scholars who have all had first-hand experience working in Zimbabwean theatre from the last days of Rhodesia to Zimbabwe.
How does the moving, dancing body engage with the materials, textures, atmospheres, and affects of the sites through which we move and in which we live, work and play?
This book marks a significant methodological shift in studies of black British women's theatre: it looks beyond published plays to the wealth of material held in archives of various kinds, from national repositories and themed collections to individuals' personal papers.