Focusing on contemporary English theatre, this book asks a series of questions: How has theatre contributed to understandings of the North-South divide?
This "e;what is"e;-rather than "e;how to"e;- volume proposes a theoretical framework for understanding dance leadership for dancers, leaders, and students of both domains, illustrated by portraits of leaders in action in India, South Africa, UK, US, Brazil and Canada.
Outlining different perspectives, this classic and field-defining text introduces 'dramaturgy' as a critical concept and a practical process in an accessible and engaging style.
This engaging text explores the role of the writer and the text in collaborative practice through the work of contemporary writers and companies working in Britain, offering students and aspiring writers and directors effective practical strategies for collaborative work.
A great theater critic brings twentieth-century playwright Arthur Miller's dramatic story to life with bold and revealing new insights "e;Lahr's cogent analyses are revelatory.
In this original study, Thompson explores the complicated relationships between Americans and television during the 1950s, as seen and effected through popular humor.
How the entertainment narrative of upward mobility distorts the harsh economic realities in AmericaIn an age of growing wealth disparities, politicians on both sides of the aisle are sounding the alarm about the fading American Dream.
From the prizewinning Jewish Lives series, an exuberant biography of the world’s greatest escape artist In 1916, the war in Europe having prevented a tour abroad, Harry Houdini wrote a film treatment for a rollicking motion picture.
This book covers all of Albee''s original plays, spanning his entire career and containing unparalleled insights from personal interviews with the playwright.
This book covers all of Albee''s original plays, spanning his entire career and containing unparalleled insights from personal interviews with the playwright.
This book presents a new argument that reimagines modern theater''s critical power and places innovative writing at the heart of the experimental stage.
This book presents a new argument that reimagines modern theater''s critical power and places innovative writing at the heart of the experimental stage.
The New York Times BestsellerONE OF THE BEST BOOKS OF THE YEAR: The New York Times, NPR, The RootA moving, unflinching memoir of hard-won success, struggles with addiction, and a lifelong mission to give back.
A Finalist for the 2024 Cundill History PrizeLonglisted for the 2024 Baillie Gifford PrizeA Best Book of the Year in The Economist, Prospect, The Telegraph, TLS, The New York Times, The Washington Post, The New Yorker, and Foreign Affairs'Magisterial' - Max Hastings, The Sunday Times'Monumental' - Rana Mitter, Times Literary SupplementA landmark history of the postwar trials of Japan's leaders as war criminals, and their impact on the modern history of Asia and the world.
In the Gray Area builds on Seth Folsoms earlier award-winning memoir, The Highway War, which described his 2003 command of one of the first Marine light armored reconnaissance battalion companies to march on Baghdad.
Over the last eighty years, Marlon Brando has become such an object of fascination, buried under so many accreted layers of mythos and half-truth, that it is all but impossible to see the man behind the icon.
Over the last eighty years, Marlon Brando has become such an object of fascination, buried under so many accreted layers of mythos and half-truth, that it is all but impossible to see the man behind the icon.
Using recently released archival materials from the United States and Europe, Replacing France: The Origins of American Intervention in Vietnam explains how and why the United States came to assume control as the dominant western power in Vietnam during the 1950s.
This is the first new book-length study of British cinema of the 1910s to be published for over fifty years, and it focuses on the close relationship between the British film industry and the Edwardian theatre.
Notwithstanding the long shadows cast by Abu Ghraib and Guantnamo, the United States has been generally humane in the treatment of prisoners of war, reflecting a desire to both respect international law and provide the kind of treatment we would want for our own troops if captured.
