Drawing from theories of the political economy of communication, this book offers readers a comprehensive data-rich assessment of contemporary sports television and its evolution.
Drawing from theories of the political economy of communication, this book offers readers a comprehensive data-rich assessment of contemporary sports television and its evolution.
This book, part of the BEA Electronic Media Research Series, brings together top scholars researching media literacy and lays out the current state of the field in areas such as propaganda, news, participatory culture, representation, education, social/environmental justice, and civic engagement.
This book, part of the BEA Electronic Media Research Series, brings together top scholars researching media literacy and lays out the current state of the field in areas such as propaganda, news, participatory culture, representation, education, social/environmental justice, and civic engagement.
This collection interrogates and stimulates deep, cross-disciplinary engagement with the various understandings and interplays of 'radio modernisms' from the early decades of the twentieth century through to the 1950s.
This collection interrogates and stimulates deep, cross-disciplinary engagement with the various understandings and interplays of 'radio modernisms' from the early decades of the twentieth century through to the 1950s.
From 1971 to his retirement in 2011, Woody Durham was the "e;Voice of the Tar Heels,"e; the radio play-by-play man for the University of North Carolina at Chapel Hill.
British Cinema and Middlebrow Culture in the Interwar Years offers an understanding of British Cinema between 1928 and 1939 through an analysis of the relationship between the British film industry and other ';culture industries' such as the radio, music recording, publishing and early television.
The alienation of the self, the annihilation of the body, the fracturing, dispersal, and reconstruction of the disembodied voice: the themes of modernism, even of modern consciousness, occur as a matter of course in the phantasmic realm of radio.
The golden age of radio is often recalled as a time when the medium unified the nation, when families gathered around the radios in homes across the country to listen to live, commercially sponsored network broadcasts.
A pioneering analysis of radio as both a cultural and material production, Communities of the Air explores radio's powerful role in shaping Anglo-American culture and society since the early twentieth century.
The iconic radio personality looks back on his life and career, from his first job at a smalltown Indiana station to his time at NPR and Sirius XM Radio.
The iconic radio personality looks back on his life and career, from his first job at a smalltown Indiana station to his time at NPR and Sirius XM Radio.
The New York Times bestselling biographer provides ';the dish on Motown's most famous songstress' in this newly updated edition (The Dallas Morning News).
Almost every evening for nine years during the late 1970s and early 1980s, the CBS Radio Mystery Theatre brought monsters, murderers and mayhem together for an hour.
The macabre world of monsters, killers on the loose and revenge from beyond the grave existed not only in the movies, but also on the radio before television's dominance in American homes.
This volume profiles about 300 African American (and a few white) performers, organizations and series broadcast during radio's "e;Golden Age"e;--the years 1921 through 1955.
The remarkable career of American actress Eve Arden (1908-1990) is thoroughly chronicled from her earliest stage work in 1926 (under her given name Eunice Quedens) to her final television role in a 1987 episode of Falcon Crest.
Having entered the world in 1896 as a poverty-stricken child named Naftaly (Nathan) Birnbaum, George Burns rose from New York's Lower East Side to the uppermost heights of celebrity in the entertainment industry.
There is a long-standing relationship between broadcasting and sports, and nowhere is this more evident than in the marriage of baseball and radio: a slow sport perfectly suited to the word-painting of broadcasters.
This richly detailed examination of two branches of American entertainment focuses on the various ways that radio stations and air personalities have been depicted in motion pictures, from 1926's The Radio Detective to more recent films like 2006's A Prairie Home Companion.
Network radio from 1932 to 1953 was a high-stakes competition embracing technology, industry, government and advertising, ruled by dollars and dictated by ratings.
The Radio Act of August 13, 1912, provided for the licensing of radio operators and transmitting stations for nearly 15 years until Congress passed the Radio Act of 1927.
This book chronicles the radio appearances of all prominent classic horror movie stars--Boris Karloff, Bela Lugosi, Peter Lorre, Vincent Price, and two dozen more, including "e;scream queens"e; like Fay Wray.
As the only independently Black-owned radio station in South Central Los Angeles, KJLH-FM was thrust into the media spotlight in the aftermath of the Rodney King trial.
Shortwave broadcasting originated in the 1920s, when stations used the new technology to increase their range in order to serve foreign audiences and reach parts of their own country not easily otherwise covered.
Like any profound technological breakthrough, the advent of sound recording ushered in a period of explosive and imaginative experimentation, growth and competition.
In this revised, expanded and corrected edition, the acclaimed Encyclopedia of American Radio, 1920-1960 (Booklist Editors' Choice; "e;recommended"e;--Library Journal) offers even better coverage of the performers and programming on American radio from its inception to its golden age.
This book seeks to bridge the gap between show hosts and prospective guests, providing a reference guide to roughly 700 talk radio shows mostly in the United States but also around the world.
