The ever-popular "e;Whedonverse"e; television shows--Buffy the Vampire Slayer, Angel, Firefly and Dollhouse--have inspired hundreds of articles and dozens of books.
NBC's Grimm is an understudied series full of compelling characters, including Monroe, the charmingly knowledgeable vegetarian who looks like a werewolf; Wu, the funny cop who beats his way to the truth; Adalind, the enjoyably vengeful, risk-taking witch; Trubel, the furious young loner accused of insanity; Kelly, a powerful older warrior-woman; Nick, a compassionate detective; Hank, Juliette, Rosalee and others.
After they are pulled 70,000 light-years away from Alpha Quadrant, the captain and crew of Star Trek: Voyager must travel homeward while exploring new challenges to their relationships, views of others, and themselves.
Most horror film fans are familiar with the movie classics, from the early Universal archetypes to the Hammer landmarks--all of which have been celebrated in countless books and magazines.
More than sixty years after the The Twilight Zone debuted on television, the show remains a cultural phenomenon, including a feature film, three television reboots, a comic book series, a magazine and a theatrical production.
In October 1957, Screen Gems made numerous horror movies available to local television stations around the country as part of a package of films called Shock Theater.
Over its five seasons on the air, the televised series Outlander has combined romance, adventure, history, and time travel into a classic saga of love, war, and the ties that bind family together.
This is the first book to take a deep dive into the philosophical, social, moral, political, and religious issues tackled by Seth MacFarlane's marvelous space adventure, The Orville.
Telling an American Horror Story collects essays from new and established critics looking at the many ways the horror anthology series intersects with and comments on contemporary American social, political and popular culture.
This collection of new essays examines how the injection of supernatural creatures and mythologies transformed the hugely popular crime procedural television genre.
A staple of television since the early years of the BBC, British crime drama first crossed the Atlantic on public broadcasting stations and specialty cable channels, and later through streaming services.
The ongoing popularity of Leslie Stevens' 1960s television masterwork The Outer Limits, as well as later series creations Battlestar Galactica and Buck Rogers in the 25th Century, has kept his name familiar to television fans.
Joss Whedon's works, across all media including television, film, musicals, and comic books, are known for their commitment to gender and sexual equality.
Supernatural is one of the most successful horror TV shows ever, providing fifteen seasons of the adventures of Dean and Sam Winchester as they hunt monsters and save the world.
This critical examination of two dystopian television series--Black Mirror and Electric Dreams--focuses on pop culture depictions of technology and its impact on human existence.
Science fiction and fantasy are often thought of as stereotypically male genres, yet both have a long and celebrated history of female creators, characters, and fans.
Dark, dangerous and transgressive, Bram Stoker's Dracula is often read as Victorian society's absolute Other--an outsider who troubles and distracts those around him, one who represents the fears and anxieties of the age.
Netflix's The Haunting of Hill House has received both critical acclaim and heaps of contempt for its reimagining of Shirley Jackson's seminal horror novel.
The story of Star Trek's resurrection between the 1969 cancellation of the original series and the 1979 release of Robert Wise's Star Trek--The Motion Picture, has become legend and like so many other legends, it tends to get printed instead of the facts.
From the beginning, both Robert Kirkman's comics and AMC's series of The Walking Dead have brought controversy in their presentations of race, gender and sexuality.
Vampire narratives are generally thought of as adult or young adult fare, yet there is a long history of their appearance in books, film and other media meant for children.
In the early days of television, suburban families welcomed TV into their homes as an electronic babysitter that would also teach their children about the world.