One of FX's most successful original productions, Sons of Anarchy roared onto the screen in 2008 and dominated the cable network's programming for seven seasons.
Set in politically unstable environments, Shakespeare's history plays--Richard II, 1 Henry IV, 2 Henry IV and Henry V--and HBO's Western series Deadwood (2004-2006) all stand as critiques of myths of national origin, the sanitized stories we tell ourselves about how power imposes order on chaos.
From Buffy the Vampire Slayer to the Marvel Cinematic Universe, Joss Whedon's work presents various representations of home spaces that give depth to his stories and storytelling.
When Sydney Newman conceived the idea for Doctor Who in 1963, he envisioned a show in which the Doctor and his companions would visit and observe, but not interfere with, events in history.
This collection of new essays focuses on The CW network's hit television series Arrow--based on DC Comic's Green Arrow--and its spin-offs The Flash, DC's Legends of Tomorrow and Supergirl.
'A wonderfully original take on a Rock and Roll autobiography' Paul McCartney'An inimitable Rock 'n' Roll life told as boldly as it was lived' Bruce SpringsteenWhat story begins in a bedroom in suburban New Jersey in the early '60s, unfolds on some of the country's largest stages, and then ranges across the globe, demonstrating over and over again how Rock and Roll has the power to change the world for the better?
"e;This does indeed deserve comparisons with Blackadder"e; Radio Times"e;A knockabout, well-researched take on the working and domestic life of Shakespeare.
From distant galaxies in the far-flung future, to ancient history on the planet Earth, Doctor Who is unique for the breadth of possibilities that it can offer a designer.
Science fiction and fantasy are often thought of as stereotypically male genres, yet both have a long and celebrated history of female creators, characters, and fans.
Since the moment we first entered Downton Abbey in 1912, we have been swept away by Julian Fellowes' evocative world of romance, intrigue, drama and tradition.
It's 1924 and there have been many changes in the world of Downton Abbey since we were first welcomed by the family and their servants twelve years ago.
An unprecedented look at the evolution of American police, from filling their intended role as peacekeepers and guardians of citizen rights to calling themselves-and acting primarily as-"e;law enforcement officers.
Here's Johnny is like sitting with Ed and Johnny over lunch:The last time I saw Johnny, about a year before he died, we had chicken, a couple of glasses of red wine, and then we just sat there and reminisced, going back and forth the way we did on the show.
The official TV tie-in to accompany the ITV drama scripted by Andrew DaviesThe World of Sanditon delves behind the scenes of Sanditon, giving you the inside scoop on Jane Austen's unfinished masterpiece, adapted for television by Andrew Davies.
As Westeros returns to our screens, relive all eight seasons of Game of Thrones with the ONLY official tie-in guide to the biggest TV series in the worldTHE PERFECT GIFT FOR ANYONE OBSESSED WITH HOUSE OF THE DRAGON__________Delve deeper into Westeros than ever before .
From the show's modest beginnings to its massive Emmy sweep, You Are My Happy Ending tells the story of how Schitt's Creek became the surprise hit that changed the way we think about LGBTQ relationships.
When The Shield first appeared on US television in March 2002, it broke ratings records with the highest audience-rated original series premiere in cable history.
Even for those who have never read Jules Verne (1828-1905), the author's very name conjures visions of the submarine in Twenty Thousand Leagues Under the Sea, the epic race in Around the World in Eighty Days, the spacecraft in From the Earth to the Moon, and the daring descent in Journey to the Center of the Earth.
An "e;illuminating"e; look at how filmmakers have taken us around the world, under the sea, and to the center of the earth over the course of a century (Milwaukee Express).
Once confined solely to literature and film, science fiction has emerged to become a firmly established, and wildly popular, television genre over the last half century.
Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer.
