Teen TV explores the history of television's relationship to teens as a desired, but elusive audience, and the ways in which television has embraced youth subcultures, tracing the shifts in American and global televisual and teen media.
Examining the impact of streaming on the global production and flow of television and film, this book provides an innovative theoretical framework to conceptualize how asymmetric dynamics of power play out in the era of global streaming.
Charles Baudelaire's flaneur, as described in his 1863 essay "e;The Painter of Modern Life,"e; remains central to understandings of gender, space, and the gaze in late nineteenth-century Paris, despite misgivings by some scholars.
Online media is and will continue to be at the forefront of entertainment; this book introduces readers to this new world and helps them create good content for it.
Online media is and will continue to be at the forefront of entertainment; this book introduces readers to this new world and helps them create good content for it.
Spanning the disciplines of sociology, history, media and cultural studies, and popular culture, this book offers a historical exploration of Australian masculine tropes and an examination of contemporary representations of masculinity in the media.
Spanning the disciplines of sociology, history, media and cultural studies, and popular culture, this book offers a historical exploration of Australian masculine tropes and an examination of contemporary representations of masculinity in the media.
The analysis of scenic design in film and television is often neglected, with visual design elements relegated to part of the mise-en-scene in cinema or simply as "e;wallpaper"e; in television.
The analysis of scenic design in film and television is often neglected, with visual design elements relegated to part of the mise-en-scene in cinema or simply as "e;wallpaper"e; in television.
Featuring scholarly perspectives from around the globe and drawing on a legacy of television studies, but with an eye toward the future, this authoritative collection examines both the thoroughly global nature of television and the multiple and varied experiences that constitute television in the twenty-first century.
Featuring scholarly perspectives from around the globe and drawing on a legacy of television studies, but with an eye toward the future, this authoritative collection examines both the thoroughly global nature of television and the multiple and varied experiences that constitute television in the twenty-first century.
For over two decades, Television has served as the foremost guide to television studies, offering readers an in-depth understanding of how television programs and commercials are made and how they function as producers of meaning.
For over two decades, Television has served as the foremost guide to television studies, offering readers an in-depth understanding of how television programs and commercials are made and how they function as producers of meaning.
Characterized as it is by its interest in and engagement with the supernatural, psycho-social formations, the gothic, and issues of identity and subjectivity, horror has long functioned as an allegorical device for interrogations into the seamier side of cultural foundations.
Characterized as it is by its interest in and engagement with the supernatural, psycho-social formations, the gothic, and issues of identity and subjectivity, horror has long functioned as an allegorical device for interrogations into the seamier side of cultural foundations.
This exploration of effective practices to support lesbian, gay, bisexual, transgender, queer (LGBTQ) and gender-diverse students in elementary, middle, and high school contexts focuses on curriculum, pedagogy, and school environment.
This exploration of effective practices to support lesbian, gay, bisexual, transgender, queer (LGBTQ) and gender-diverse students in elementary, middle, and high school contexts focuses on curriculum, pedagogy, and school environment.
Reading Contemporary Serial Television Universes provides a new framework-the metaphor of the narrative ecosystem-for the analysis of serial television narratives.
Reading Contemporary Serial Television Universes provides a new framework-the metaphor of the narrative ecosystem-for the analysis of serial television narratives.
Gendered processes of globalisation, transnationalisation and urbanisation are increasing local and global inequalities and widening the gap between the rich and the poor.
Gendered processes of globalisation, transnationalisation and urbanisation are increasing local and global inequalities and widening the gap between the rich and the poor.
Gender persists as a key site of social inequality globally, and within contemporary south Asian contexts, the cultural practices which make upmasculinities remain vital for understanding everyday life and social relations.
Gender persists as a key site of social inequality globally, and within contemporary south Asian contexts, the cultural practices which make upmasculinities remain vital for understanding everyday life and social relations.
The intense and continuing popularity of the long-running television show Buffy the Vampire Slayer (1997-2003) has long been matched by the range and depth of the academic critical response.
The intense and continuing popularity of the long-running television show Buffy the Vampire Slayer (1997-2003) has long been matched by the range and depth of the academic critical response.
Alexander Granach, who died while he was acting on Broadway in 1945, brilliantly relates the remarkable story of his unlikely path from a poverty-stricken, rough-and-tumble childhood to success on the German stage.
Alexander Granach, who died while he was acting on Broadway in 1945, brilliantly relates the remarkable story of his unlikely path from a poverty-stricken, rough-and-tumble childhood to success on the German stage.
The average person in America watches four hours of television per day and spends the equivalent of nine years of his or her life in front of the television set.
The average person in America watches four hours of television per day and spends the equivalent of nine years of his or her life in front of the television set.
Having spent most of his career working with the British Broadcasting Corporation (BBC), Martin Esslin appraises American TV with the eyes of both a detached outsider and a concerned insider.
Having spent most of his career working with the British Broadcasting Corporation (BBC), Martin Esslin appraises American TV with the eyes of both a detached outsider and a concerned insider.
