In Shakespeare on Theatre, master acting teacher Robert Cohen brilliantly scrutinises Shakespeare's implicit theories of acting, paying close attention to the plays themselves and providing a wealth of fascinating historical evidence.
In Shakespeare on Theatre, master acting teacher Robert Cohen brilliantly scrutinises Shakespeare's implicit theories of acting, paying close attention to the plays themselves and providing a wealth of fascinating historical evidence.
The Routledge Anthology of Restoration and Eighteenth-Century Drama brings together the work of key playwrights from 1660 to 1800, divided into three main sections: Restoring the Theatre: 1660-1700 Managing Entertainment: 1700-1760 Entertainment in an Age of Revolutions: 1760-1800 Each of the 20 plays featured is accompanied by an extraordinary wealth of print and online supplementary materials, including primary critical sources, commentaries, illustrations, and reviews of productions.
The Routledge Anthology of Restoration and Eighteenth-Century Drama brings together the work of key playwrights from 1660 to 1800, divided into three main sections: Restoring the Theatre: 1660-1700 Managing Entertainment: 1700-1760 Entertainment in an Age of Revolutions: 1760-1800 Each of the 20 plays featured is accompanied by an extraordinary wealth of print and online supplementary materials, including primary critical sources, commentaries, illustrations, and reviews of productions.
Between the beginning of the tenth and the end of the sixteenth centuries, in all parts of Great Britain from Aberdeen to Cornwall, performances of liturgical and mystery plays are on record.
Between the beginning of the tenth and the end of the sixteenth centuries, in all parts of Great Britain from Aberdeen to Cornwall, performances of liturgical and mystery plays are on record.
Producer's Playbook: Real People on Camera is a no-nonsense guide for producers looking to get the best performances from "e;real people"e; to tell powerful stories on video.
Producer's Playbook: Real People on Camera is a no-nonsense guide for producers looking to get the best performances from "e;real people"e; to tell powerful stories on video.
This new edition of Physical Theatres: A Critical Introduction continues to provide an unparalleled overview of non-text-based theatre, from experimental dance to traditional mime.
This new edition of Physical Theatres: A Critical Introduction continues to provide an unparalleled overview of non-text-based theatre, from experimental dance to traditional mime.
The Routledge Companion to Performance Practitioners collects the outstanding biographical and production overviews of key theatre practitioners first featured in the popular Routledge Performance Practitioners series of guidebooks.
The Routledge Companion to Performance Practitioners collects the outstanding biographical and production overviews of key theatre practitioners first featured in the popular Routledge Performance Practitioners series of guidebooks.
Theatre Studios explores the history of the studio model in England, first established by Konstantin Stanislavsky, Jacques Copeau and others in the early twentieth century, and later developed in the UK primarily by Michel Saint-Denis, George Devine, Michael Chekhov and Joan Littlewood, whose studios are the focus of this study.
Theatre Studios explores the history of the studio model in England, first established by Konstantin Stanislavsky, Jacques Copeau and others in the early twentieth century, and later developed in the UK primarily by Michel Saint-Denis, George Devine, Michael Chekhov and Joan Littlewood, whose studios are the focus of this study.
A Korean Approach to Actor Training develops a vital, intercultural method of performer training, introducing Korean and more broadly East Asian discourses into contemporary training and acting practice.
A Korean Approach to Actor Training develops a vital, intercultural method of performer training, introducing Korean and more broadly East Asian discourses into contemporary training and acting practice.
As personal technology becomes ever-present in the classroom and rehearsal studio, its use and ubiquity is affecting the collaborative behaviors that should underpin actor training.
Performer Training and Technology employs philosophical approaches to technology, including postphenomenology and Heidegger's thinking, to examine the way technology manifests, influences and becomes used in performer training discourse and practice.
Performer Training and Technology employs philosophical approaches to technology, including postphenomenology and Heidegger's thinking, to examine the way technology manifests, influences and becomes used in performer training discourse and practice.
Stage Fright in the Actor explores the phenomena of stage fright-a universal experience that ranges in intensity from a relatively easy-to-conceal sense of anxiety to an overwhelming feeling of terror-from the actor's perspective, unearthing its social, cultural, and personal roots.
Stage Fright in the Actor explores the phenomena of stage fright-a universal experience that ranges in intensity from a relatively easy-to-conceal sense of anxiety to an overwhelming feeling of terror-from the actor's perspective, unearthing its social, cultural, and personal roots.
