Diagrammatical Performances' traces some of the traditions and contemporary developments in the uses of diagrams - actual and metaphorical - in the making of performance that nurtures a relationship between humans and more-than-humans.
Diagrammatical Performances' traces some of the traditions and contemporary developments in the uses of diagrams - actual and metaphorical - in the making of performance that nurtures a relationship between humans and more-than-humans.
Perform Design Act is a groundbreaking reflection on two decades of Performance Design as a transformative interdisciplinary field, challenging conventional approaches to creative practice and event-making.
Perform Design Act is a groundbreaking reflection on two decades of Performance Design as a transformative interdisciplinary field, challenging conventional approaches to creative practice and event-making.
Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavsky's question to his actors of "e;Where?
Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavsky's question to his actors of "e;Where?
August Wilhelm Iffland legte die Korrespondenz, die er als Direktor des Berliner Nationaltheaters von 1796 bis 1814 fuhrte, geordnet ab und etablierte so ein administratives und dramaturgisches Archiv, das zu einem wichtigen Arbeitsinstrument seiner Theaterleitung wurde.
Challenging received scholarship on the practice of Shakespeare's theatre, this book displaces a contemporary cultural bias towards leadership models to reconsider possibilities of working in a non-hierarchical and inclusive creative theatrical practice.
Challenging received scholarship on the practice of Shakespeare's theatre, this book displaces a contemporary cultural bias towards leadership models to reconsider possibilities of working in a non-hierarchical and inclusive creative theatrical practice.
Stanislavsky’s Use of Improvisation is the first work that brings together material across Stanislavsky’s entire career to survey his use of improvisation.
Stanislavsky’s Use of Improvisation is the first work that brings together material across Stanislavsky’s entire career to survey his use of improvisation.
This book provides a comprehensive overview of influential and popular Chinese drama actors and actresses, innovative directors, and emerging playwrights.
This book provides a comprehensive overview of influential and popular Chinese drama actors and actresses, innovative directors, and emerging playwrights.
Acting Heightened Text: The Basics offers a foundational understanding of heightened text in drama, fused with a truthful, contemporary approach to acting.
Directing Desire explores the rise of consent-based and trauma-informed approaches to staging sexually and sensually charged scenes for theater in the contemporary U.
Directing Desire explores the rise of consent-based and trauma-informed approaches to staging sexually and sensually charged scenes for theater in the contemporary U.
This book makes the case for Bertolt Brecht's continued importance at a time when events of the 21st century cry out for a studied means of producing theatre for social change.
This book makes the case for Bertolt Brecht's continued importance at a time when events of the 21st century cry out for a studied means of producing theatre for social change.
Acting Heightened Text: The Basics offers a foundational understanding of heightened text in drama, fused with a truthful, contemporary approach to acting.
Combining theory and historiography, this book presents a new means for considering rhythm in postdramatic performance by examining the creative processes of three major international companies: Mime Omnibus (Montreal, Canada), Dairakudakan (Tokyo, Japan), and SITI Company (New York, US).
Staging the Ghost Story is the first book to offer a critical appraisal of the centuries-long relationship between the ghost story and the English stage.
Staging the Ghost Story is the first book to offer a critical appraisal of the centuries-long relationship between the ghost story and the English stage.
