This book presents a new argument that reimagines modern theater''s critical power and places innovative writing at the heart of the experimental stage.
The early years of the twenty-first century have witnessed a proliferation of non-fiction, reality-based performance genres, including documentary and verbatim theatre, site-specific theatre, autobiographical theatre, and immersive theatre.
Since its founding by Joseph Papp in the 1950s, The Public Theater has been an American artistic leader defined by its breadth of programming, from Hair and A Chorus Line, to Free Shakespeare in the Park.
Many women held positions of great responsibility and power in the United States during the 19th century as theatre managers: managing stock companies, owning or leasing theatres, hiring actors and other personnel, selecting plays for production, directing rehearsals, supervising all production details, and promoting their dramatic offerings.
Since its founding by Joseph Papp in the 1950s, The Public Theater has been an American artistic leader defined by its breadth of programming, from Hair and A Chorus Line, to Free Shakespeare in the Park.
Winner of the Society for Theatre Research Book Prize - 2016 This is the final volume in a new paperback edition of Steve Nicholson s definitive four-volume survey of British theatre censorship from 1900-1968, based on previously undocumented material, covering the period 1960-1968.
This volume traces the distinct cultural languages in which individual and collective forms of trauma are expressed in diverse variations, including oral and written narratives, literature, comic strips, photography, theatre, and cinematic images.
Introduction to Arts Management offers a unique, dynamic and savvy guide to managing a performing or visual arts organization, be that an arts center, theatre, museum, art gallery, symphony orchestra, or other arts company.
Jahr für Jahr strömen sie aus den Schauspielschulen, die angehenden Stars und KünstlerInnen, und in der Regel wissen sie nicht genau, wo es hingehen soll.
The Gateway Theatre Company between 1953 and 1965 was a major force in developing modern Scottish theatre, moving in 1965 to become the Royal Lyceum Theatre Company.
The early years of the twenty-first century have witnessed a proliferation of non-fiction, reality-based performance genres, including documentary and verbatim theatre, site-specific theatre, autobiographical theatre, and immersive theatre.
Often viewed as theologically conservative, many theatrical works of late medieval and early Tudor England nevertheless exploited the performative nature of drama to flirt with unsanctioned expressions of desire, allowing queer identities and themes to emerge.
The Gateway Theatre Company between 1953 and 1965 was a major force in developing modern Scottish theatre, moving in 1965 to become the Royal Lyceum Theatre Company.
Epicentro de la avanzada artística argentina de los años sesenta, el Instituto Di Tella ocupa un lugar destacado en el campo teatral argentino del período.
Die Lebensfreude Emile Zola - " Die Lebensfreude" heißt der zwölfte Band der Rougon-Macquard-Reihe, der Saga einer französischen Familie unter dem Zweiten Kaiserreich.
Siguiendo el poemario homonimo de Marguerite Yourcenar, cada uno de los brevisimos poemas dan pie a un pequeno relato teatral sobre enfermos terminales.
It is a social novel that deals with a middle -aged crisis for a couple on the verge of separation, and how an accurate deviation from the familiar reaction in such cases leads to a big difference.
Este libro ofrece un conjunto de obras teatrales que, en unos casos, exploran a profundidad las emocionalidades humanas y, en otros, recrean distintos contenidos pertenecientes a la tradición oral.
