The Drama of the American Short Story, 1800-1865 argues that to truly understand the short story form, one must look at how it was shaped by the lively, chaotic, and deeply politicized world of 19th-century transatlantic theater and performance culture.
Acting in Real Timeby renowned Dutch director and acting teacher Paul Binnerts describes his method for Real-Time Theater, which authorizes actors to actively determine how a story is told---they are no longer mere vehicles for delivering the playwright's message or the director's interpretations of the text.
Acting in Real Timeby renowned Dutch director and acting teacher Paul Binnerts describes his method for Real-Time Theater, which authorizes actors to actively determine how a story is told---they are no longer mere vehicles for delivering the playwright's message or the director's interpretations of the text.
Vanguard Performance Beyond Left and Right challenges assumptions regarding "e;radical"e; and "e;experimental"e; performance that have long dominated thinking about the avant-garde.
The Avant-Garde and the Popular in Modern China explores how an important group of Chinese performing artists invested in politics and the pursuit of the avant-garde came to terms with different ways of being "e;popular"e; in modern times.
Studienarbeit aus dem Jahr 2022 im Fachbereich Theaterwissenschaft, Tanz, Friedrich-Alexander-Universität Erlangen-Nürnberg, Sprache: Deutsch, Abstract: Die vorliegende Hausarbeit beschäftigt sich näher mit Marina Abramović.
The Humanities and Human Flourishing series publishes edited volumes that explore the role of human flourishing in the central disciplines of the humanities, and whether and how the humanities can increase human happiness.
The Humanities and Human Flourishing series publishes edited volumes that explore the role of human flourishing in the central disciplines of the humanities, and whether and how the humanities can increase human happiness.
Anthropocene Theater and the Shakespearean Stage revises the anthropocentric narrative of early globalization from the perspective of the non-human world in order to demonstrate Nature's agency in determining ecological, economic, and colonial outcomes.
Anthropocene Theater and the Shakespearean Stage revises the anthropocentric narrative of early globalization from the perspective of the non-human world in order to demonstrate Nature's agency in determining ecological, economic, and colonial outcomes.
Seminar paper from the year 2017 in the subject American Studies - Comparative Literature, grade: excellent, Mansoura University, course: drama, language: English, abstract: "e;The Cuban-swimmer"e; is a seven-scene play in which Milcha Sanchez-Scott depicts the individual's need of self assertion as a major theme.
Essay from the year 2011 in the subject Cultural Studies - European Studies, grade: A, University of London, course: MA WRITING FOR PERFORMANCE, language: English, abstract: Through a discussion of Peter Brook's The Tragedy of Hamlet (2000), Complicite's Mnemonic (1999), and Song of the Goat's Macbeth (2010), we see clear examples of how these productions are using 'no-place' theatre as a site for embracing cultural equality (rather than cultural ambiguity) on stage as these productions all search for the universal values which bond different cultures together.
Examensarbeit aus dem Jahr 2020 im Fachbereich Theaterwissenschaft, Tanz, , Veranstaltung: Theaterpädagogik, Sprache: Deutsch, Abstract: Ein Forschungsfeld eröffnet sich und die Frage, ob man mit Mut, Phantasie und Theaterspiel den sozialen und ökologischen Krisen unserer Zeit beikommen kann, wird gestellt.
In the nineteenth century, long before film and television arrived to electrify audiences with explosions, car chases, and narrow escapes, it was America's theaters that offered audiences such thrills, with "e;sensation scenes"e; of speeding trains, burning buildings, and endangered bodies, often in melodramas extolling the virtues of temperance, abolition, and women's suffrage.
Evita, Inevitably sheds new light on the history and culture of Argentina by examining the performances and reception of the country's most iconic female figures, in particular, Eva Peron, who rose from poverty to become a powerful international figure.
Shakespeare and the Royal Actor argues that members of the royal family have identified with Shakespearean figures at various times in modern history to assert the continuity, legitimacy, and national identity of the royal line.
Shakespeare and the Royal Actor argues that members of the royal family have identified with Shakespearean figures at various times in modern history to assert the continuity, legitimacy, and national identity of the royal line.
Performing Queer Latinidad highlights the critical role that performance played in the development of Latina/o queer public culture in the United States during the 1990s and early 2000s, a period when the size and influence of the Latina/o population was increasing alongside a growing scrutiny of the public spaces where latinidad could circulate.
Studienarbeit aus dem Jahr 2022 im Fachbereich Theaterwissenschaft, Tanz, Note: 1,66, , Sprache: Deutsch, Abstract: In dem Maße, wie innerhalb der Gesellschaft zunehmend Verstöße gegen moralisch wünschenswertes Handeln wahrzunehmen und beklagt werden, so wächst auch die Erwartung, die Schule möge ihren Erziehungsauftrag wahrnehmen, dieser Entwicklung entgegensteuern.
In How to Understand Theatre Audiences, Kirsty Sedgman offers a bold rethinking of what it means to watch, experience, and make meaning from live performance.
This book explores the under-theorized intersections between Shakespeare and drag in contemporary American culture and performances of and around what it terms ShaxDrag.
This anthology offers a collection of three appealing plays, written by Dalit playwrights, that explore the politics of caste discrimination through intense plots, captivating dialogues, and remarkable characterisations.
This anthology offers a collection of three appealing plays, written by Dalit playwrights, that explore the politics of caste discrimination through intense plots, captivating dialogues, and remarkable characterisations.
Dramaturgy of Sex on Stage in Contemporary Theatre explores the dramaturgy of sex in contemporary works for the stage in the social, cultural and historical context of the time and place during which they were written and performed.
Dramaturgy of Sex on Stage in Contemporary Theatre explores the dramaturgy of sex in contemporary works for the stage in the social, cultural and historical context of the time and place during which they were written and performed.
Studienarbeit aus dem Jahr 2024 im Fachbereich Theaterwissenschaft, Tanz, Note: 1,7, Universität des Saarlandes (Philosophische Fakultät), Veranstaltung: Einführungsseminar Theaterwissenschaften, Sprache: Deutsch, Abstract: Vermutlich um 1881 erstmals von Arthur Schnitzler als Stück in Erwägung gezogen, blieb "Liebelei" nach der Uraufführung im Oktober 1895 ein ständiger Erfolg bis in die heutige Zeit.
Research Paper (postgraduate) from the year 2024 in the subject Theater Studies, Dance, grade: A, University of Education (Faculty of Foreign languages), course: English language, language: English, abstract: This paper presents a semiotic analysis of the Sisaala Bayira in the Sisaala Traditional Area.
Studienarbeit aus dem Jahr 2024 im Fachbereich Theaterwissenschaft, Tanz, Note: 2,0, Universität des Saarlandes, Veranstaltung: Einführungsseminar Theaterwissenschaft, Sprache: Deutsch, Abstract: Ziel jener Ausarbeitung soll es sein, den "Clavigo" als historischen Stoff, über Goethes theatralische Sendung bis hin zum Nachkriegstheater und dem Theater der Gegenwart nachvollziehen zu können.
Studienarbeit aus dem Jahr 2020 im Fachbereich Theaterwissenschaft, Tanz, Note: 1,3, Freie Universität Berlin (deutsche Philologie), Veranstaltung: Seminar, Sprache: Deutsch, Abstract: Im antiken Griechenland waren dem Gott Dionysos gewidmete Theaterfeste eine beliebte Attraktion.
Masterarbeit aus dem Jahr 2023 im Fachbereich Theaterwissenschaft, Tanz, Freie Universitat Berlin (Institut fur Theaterwissenschaft), Sprache: Deutsch, Abstract: Was passiert, wenn die Grenzen des Akzeptablen im Tanz gesprengt werden?
Bachelorarbeit aus dem Jahr 2020 im Fachbereich Theaterwissenschaft, Tanz, Note: 1,7, Ruhr-Universität Bochum (Theaterwissenschaft), Sprache: Deutsch, Abstract: Das Motiv der unschuldigen, tugendhaften Tochter, die am Ende ihr Leben zur Einhaltung der bürgerlichen Konventionen lassen muss, wird von Lessing jedoch nicht nur auf Sara Sampson beschränkt: Mit Emilia Galotti entsteht ein weiteres bürgerliches Trauerspiel, welches durch den Tod eines Mädchens zwecks Rettung ihrer Tugend bei den Zuschauenden Mitleid auslösen und eine sittliche Besserung erzielen soll.
