Originally published in 1958, this book deals with the details of dress - formal and informal - from the time of Charles II to the end of the eighteenth century.
Part of the Performing Landscapes series, Performing Homescapes is an edited collection comprising a contemporary exploration of performing many iterations of landscapes of homes.
This book explores historical, socio-political, and metatheatrical readings of a whole host of dying bodies and risen corpses, each part of a long tradition of living death on stage.
The Wardrobe Supervisor's Toolkit: A Comprehensive Guide to Wardrobe is a complete resource for organizing and streamlining the wardrobe process for any live production, with tips and tricks to quickly and seamlessly dress performers for their next scene.
Apparu en France et en Grande-Bretagne au XVIIIe siècle, le répertoire des danses de caractères emprunte sous le Premier Empire les pas savants du quadrille.
This book brings together two separate fields by combining a study of Shakespeare's original stage conditions with an exploration of his plays in performance across the globe.
This volume tells the fascinating history of a century of Broadway Theatre, exemplified by Pulitzer Prize-winning stage productions of plays from leading American playwrights like Eugene O'Neill, Tennessee Williams, Arthur Miller and many others.
Originally published in 1958, this book deals with the details of dress - formal and informal - from the time of Charles II to the end of the eighteenth century.
Drawing on the expertise of a wide range of professionals, Inside the Contemporary Conservatoire: Critical Perspectives from the Royal College of Music, London presents fresh perspectives on the work of music conservatoires today through an in-depth case study of the Royal College of Music (RCM), London.
Lee provides a comprehensive insight into important topics within modern Korean theatre and conducts an in-depth evaluation of the major discourses that shaped Korean theatre during the 20th century.
As an instigator of debate and a defender of tradition, a man of letters and a popular hack, a writer of erotica and a spokesman for bishops, an urbane metropolitan and a celebrant of local custom, the various textual performances of Thomas Nashe have elicited, and continue to provoke, a range of contradictory reactions.
The Routledge Companion to Music, Autoethnography, and Reflexivity represents a substantial contribution to the field of writing reflexively about an individual's practice within music studies.
New Dramaturgies of Contemporary Opera is the first and only book that approaches the dramaturgy of contemporary opera from the unique perspectives of living practitioners (composers, librettists, directors, producers, singers, dramaturgs, and administrators) who provide valuable first-hand insight into the coming into being of an opera today.
Based on theatrical research of unusual depth and enterprise, Theatre as a Weapon (1986) shows how the workers' theatre of the 1920s and 1930s transformed the social function of theatre.
