Originally published in 1937 and reprinted as a fourth edition in paperback in 1979, this is a history of dress in England from the Norman Conquest to the mid-20th century.
Balancing practical exercises and case studies, this book equips practitioners, students and academics with guidance for exploring the process of making theatre from personal stories.
This collection of original essays presents new scholarship on nearly three dozen feature-length films, including silent films, animated films, films in black and white, and films in technicolor, along with other, shorter examples of cinematic medievalism.
This collection of original essays presents new scholarship on nearly three dozen feature-length films, including silent films, animated films, films in black and white, and films in technicolor, along with other, shorter examples of cinematic medievalism.
Offering a lively, international, and interdisciplinary introduction to research on arts programmes in prisons, Arts in Criminal Justice and Corrections is the first volume to bring together leading figures from the USA, the UK, Australia, New Zealand, and Belgium to explore key methodological approaches and issues through the lens of the researchers themselves.
Este libro es un estudio del proceso de ensayos del eminente director afro americano Lloyd Richards, junto con sus colegas artísticos, Lorraine Hansberry, August Wilson, James Earl Jones, Mary Alice, Charles Dutton, entre otros numerosos artistas que estuvieron en el aula de ensayo con esta legendaria figura.
This book is the first definitive publication to consider the intersections of applied theatre and the Sustainable Development Goals (SDGs) - a series of goals which have shaped development and social justice initiatives from 2015 to 2030.
Originally published in 1973, this book investigates the power and the pressures behind English theatre in the late 20th Century, analysing its structure and systems, and the way that money and motives flow through it.
Dramaturgy and History provides a practical account of an aspect of dramaturgical practice that is often taken for granted: dramaturgs' engagements with history and historiography.
An Oak Tree is a bold, absurdist, comic play for two actors - one of them different at each performance - about loss, suggestion and the power of the mind.
In 101+ Tips and Tricks Every Prop Maker Should Know, Utah Shakespeare Festival's Properties Director Ben Hohman explains tricks of the trade generally not taught in schools, but essential for prop makers working on the job.
The standard work in a new edition "e;Stage Technology - Mechanical Equipment"e; was now published in English under the title "e;Stage Technology"e; The book offers a comprehensive presentation of modern stage technology.
Music and the Performing Arts in the Anthropocene offers a series of thought-provoking chapters about music and the performing arts viewed from current Anthropocene-aware perspectives.
For more than a century, directors from both sides of the border have chosen Mexico as the location to create their cinematic art, leaving an indelible imprint on the imaginations of moviegoers and filmmakers worldwide.
This updated fourth edition of Theatre Histories offers a critical overview of global theatre, drama, and performance, spanning a broad wealth of world cultures and periods, integrating them chronologically or thematically, and showing how they have often interacted.
For more than a century, directors from both sides of the border have chosen Mexico as the location to create their cinematic art, leaving an indelible imprint on the imaginations of moviegoers and filmmakers worldwide.
In this uplifting memoir, Lee Wilson shares stories from her four decades of dancing on Broadway, with anecdotes about theatre legends including Agnes de Mille, Richard Rodgers, Michael Bennett, Donna McKechnie, and Bernadette Peters.
Sehr geehrte Leserinnen und Leser, ich freue mich, Ihnen nach nunmehr zwei Jahren der Recherche und Vorarbeit mein neues Buch über die japanische Handwerkskunst vorstellen zu können.
South Asian Disability and Deaf Theatres investigates translocal intimacies in relation to twenty-first-century transnational South Asian disability theatres in order to lay out new possibilities for accessible theatres.
Analysing the factors affecting the sustainable development of the Caribbean cultural industry, this concise volume explores how creatives operate within the cultural ecology of the region and the diverse range of tactics they use to mediate state and global policies to define cultural production and consumption in post-colonial small island states.
This anthology of essays, a companion to Puppet and Spirit: Ritual, Religion, and Performing Objects, Volume I, aims to explore the many types of relationships that exist between puppets, broadly speaking, and the immaterial world.