At a time when the relevance of literary theory itself is frequently being questioned, Richard Wilson makes a compelling case for French Theory in Shakespeare Studies.
This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy.
The Routledge Companion to Michael Chekhov brings together Chekhov specialists from around the world - theatre practitioners, theorists, historians and archivists - to provide an astonishingly comprehensive assessment of his life, work and legacy.
The fourteen essays that comprise this volume concentrate on festival iconography, the visual and written languages, including ephemeral and permanent structures, costume, dramatic performance, inscriptions and published festival books that 'voiced' the social, political and cultural messages incorporated in processional entries in the countries of early modern Europe.
The performing arts are uniquely capable of translating a vision of an ideal or sacred reality into lived practice, allowing an audience to confront deeply held values and beliefs as they observe a performance.
James Graham is one of the UK's leading dramatists, a multi-award-winning writer who for almost 20 years has analysed and articulated concepts of power and authority in modern British society.
Historical Wig Styling: Ancient Egypt to the 1830s, 2nd edition, is a guide to creating beautiful, historically accurate hairstyles for theatrical productions and events.
Drawing on the author's two decades of seeing, writing on, and teaching about puppetry from a critical perspective, this book offers a collection of insights into how we watch, understand, and appreciate puppetry.
Erika Fischer-Lichte's introduction to the discipline of Theatre and Performance Studies is a strikingly authoritative and wide ranging guide to the study of theatre in all of its forms.
This volume takes stock of the ways in which the regimes of artistic creation and production intersect, lending special attention to emergent discourses and work models of producing and managing theatre, dance, and performance - through the lenses of creative producers.
Bertolt Brecht's silent Kattrin in Mother Courage, or the disability performance lessons of his Peachum in TheThreepenny Opera; Tennessee Williams' limping Laura Wingfield in The Glass Menagerie and hard-of-hearing Bodey in A Lovely Sunday for Creve Coeur; Samuel Beckett's blind Hamm and his physically disabled parents Nagg and Nell in Endgame – these and many further examples attest to disability's critical place in modern drama.
Automated Performer Flying: The State of the Art shares the secrets of performer flying in entertainment history and provides step-by-step instructions on how to create a performer flying effect from scratch.
This two-volume set examines recent presidential and vice presidential debates, addresses how citizens make sense of these events in new media, and considers whether the evolution of these forms of consumption is healthy for future presidential campaigns-and for democracy.
The Routledge Companion to Performance Practitioners collects the outstanding biographical and production overviews of key theatre practitioners first featured in the popular Routledge Performance Practitioners series of guidebooks.
Therapy, Stand-Up, and the Gesture of Writing is a sharp, lively exploration of the connections between therapy, stand-up comedy, and writing as a method of inquiry; and of how these connections can be theorized through the author's new concept: creative-relational inquiry.
The Bible and Modern British Drama: 1930 to the Present Day is the first full-length study to explore how playwrights in the modern period have adapted popular biblical stories, such as Abraham and Isaac, Moses and the Exodus from Egypt, and the life and death of Jesus, for the stage.
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes.
Within the last ten years there has been a renaissance in Irish drama from both sides of the border, including award-winning work which has transfered to London and New York, and has toured Britain as well as Europe and Australia.
The succession to the throne, Lisa Hopkins argues here, was a burning topic not only in the final years of Elizabeth but well into the 1630s, with continuing questions about how James's two kingdoms might be ruled after his death.
Creating Solo Performance is an innovative toolbox of exercises and challenges focused on providing you - the performer - with engaging and inspiring ways to explore and develop your idea both on the page and in the performance space.
Women Writers Dramatized includes the dramatizations of canonical works by authors such as Jane Austen, George Eliot, Mary Shelley, Harriet Beecher Stowe, as well as lesser-known authors about whom little - and in some cases virtually no - prior scholarly work has been done, contributing to the study of long-forgotten or largely ignored female writers like Frances Trollope, Rlioda Broughton, Sydney Owenson and Jane Porter.
An analysis of reality and 'the real' as presented in contemporary artistic creation, Practising the Real on the Contemporary Stage examines the responses given by performing arts to the importance placed on reality beyond representation.
Indian Folk Theatres is theatre anthropology as a lived experience, containing detailed accounts of recent folk theatre shows as well as historical and cultural context.
Many actors treat their profession as a purely artistic endeavor, rarely conceding that there is more to making a living than simply showing up on stage or in front of a camera.
The Arden Research Handbook of Contemporary Shakespeare Criticism is a wide-ranging, authoritative guide to research on critical approaches to Shakespeare by an international team of leading scholars.
The one-act play stands apart as a distinct art form with some well known writers providing specialist material, among them Bernard Shaw, Tom Stoppard, Harold Pinter, Caryl Churchill.