The Gateway Theatre Company between 1953 and 1965 was a major force in developing modern Scottish theatre, moving in 1965 to become the Royal Lyceum Theatre Company.
This much-needed book introduces readers to the related fields of expertise, creativity, and performance, exploring our understanding of the factors contributing to greatness in creative domains.
While the infamous Theatre du Grand-Guignol in Paris closed its doors in 1962, the particular form of horror theatre it spawned lives on and has, moreover, witnessed something of a resurgence over the past twenty years.
Ludvig Holberg (1684-1754) is to Danish theatre what playwrights such as Shakespeare, Moliere, Ibsen, Strindberg are to their national stages - and the world stage.
Contemporary Cultural Tools for Identities in the Making asks how cultural and artistic practices constitute a central tool for the expression and recognition of individual and collective identities, and how shared creative efforts shape alternative lexical and symbolic languages.
Reconstructs the constitutive role that German actresses played on and off the stage in shaping not only modernist theater aesthetics and performance practices, but also influential strains of modern thought.
Dance Production: Design and Technology, Second Edition is an introduction to the skills needed to plan, design, and execute the technical aspects of a dance production.
