This book explores how productions of Shakespearean plays create meaning in specific communities, with special attention to issues of access, adaptation, and activism.
Kinaesthetic Empathy, Ethics and Care develops a philosophy of dance that highlights the psychological, aesthetic and ethical significance of dancer-viewer interaction in the moment of performance.
Historical Pattern Archive 2 features a collection of women's period garment patterns taken from the Historic Clothing Collection at the University of Virginia.
The Sense-Ability Ensemble's Guide to Creating Theatre for Audiences that are Neurodiverse is a practical handbook that explores how to create theatre for audiences that are neurodiverse.
Communication for Effective Stage Management: A Collaborative Production Tool provides a comprehensive examination of communication theory through the lens of effective stage management and offers ideas and methods for stage managers to enhance their communicative presence throughout a theatrical process.
You Can't Kill the Boogeyman: The Ongoing Halloween Saga - 13 Movies and Counting is a cultural and critical examination of the legendary Halloween film franchise, considering the style, themes, and development of the series within temporal and industrial contexts.
Costumers at Work: The Collaborative Creativity, Emotional Labour, and Technical Skill of Costume Creation explores the various forms of work carried out in the costume workshop by the myriads of skilled professionals who transform ideas and sketches into the wearable costumes seen on stage.
Kinaesthetic Empathy, Ethics and Care develops a philosophy of dance that highlights the psychological, aesthetic and ethical significance of dancer-viewer interaction in the moment of performance.
A History of Intimacy Professionals in Entertainment is the first book that explores the evolution of intimacy coordinators, choreographers and directors in the performing arts, highlighting the history of their critical role in fostering safe(r) and respectful environments on set and in theaters.
This engaging book offers a broad spectrum of collaborative and accessible performance-based practices that promote social justice within college classrooms, rehearsal spaces, campus stages and local communities.
The two volumes on Music Performers' Lived Experiences seeks to widen this research area through close investigations of a variety of rich, complex and nuanced experiences classical music performers have qua performers, as they interact with musical scores, instruments, performance traditions, other musicking individuals, wider artistic and cultural discourses, norms and beliefs.
From Object to Performance identifies, analyses, and critically contemplates the advent of a "e;performance mentality"e; and the gradual maturation of a "e;performative turn"e; in Israeli art.
The Sense-Ability Ensemble's Guide to Creating Theatre for Audiences that are Neurodiverse is a practical handbook that explores how to create theatre for audiences that are neurodiverse.
Desafíos, diferencias y deformaciones de la ciudadanía: mutantes y monstruos en la producción cultural latinoamericana reciente se inserta dentro del creciente interés en los estudios sobre ciudadanía al tener como objetivo el entender las diferentes formas en las que las políticas-económicas neoliberales cuestionan, controvierten e incluso mutan el concepto de ciudadanía y el consecuente derecho a la titularidad de una serie de libertades en un espacio cada vez más privatizado.
Communication for Effective Stage Management: A Collaborative Production Tool provides a comprehensive examination of communication theory through the lens of effective stage management and offers ideas and methods for stage managers to enhance their communicative presence throughout a theatrical process.
Der in den Widerstandskreis der "Weißen Rose" verwickelte, vom "Volksgerichtshof" jedoch nicht zum Tode verurteilte Falk Harnack (1913–1991) profilierte sich ab den frühen 1950er Jahren als einer der wesentlichen deutschen Film- und Fernsehregisseure.
