Applied Theatre and Gender Justice is a collection of essays highlighting the value and efficacy of using applied theatre to address gender in a broad range of settings, identifying challenges, and offering concrete best practices.
Meanings are realized at the point of reception and this volume intends to offer an in-depth discussion of some of the meanings associated with and raised by the figure of Telamonian Ajax at various, specifically contextualized, and yet somehow connectable 'points of reception'.
This book provides an overall history of the regional theatre movement in the US, while also utilizing specific accomplishments and failures in addition to crucial administrative and artistic decisions to chart larger developments in American theatre, most notably the craze for new play development, the death of resident companies in professional theatres, the passion to reflect social causes (especially social justice and the #MeToo movement), and the troubling economic state of contemporary regional theatres.
Were it not for authoritarian state censorship, Cecilia Bartolome's name would figure alongside those of her contemporaries Agnes Varda and Claire Denis as a pioneering feminist filmmaker of the twentieth century.
Pulp Fiction was one of the films that defined American cinema of the 1990s, and remains one of the stand-out movies of its director Quentin Tarantino.
Through the lens of performance and politics, this collection zooms in on the context-specific dimensions, analogies, and micro-histories of the Left to better understand the larger picture.
Bad Sex traces the evolution of representations of sex on screen, from earlier portrayals of sex as glamorous or taboo, to more complex depictions of often awkward or painful experiences and feelings.
This book provides an overall history of the regional theatre movement in the US, while also utilizing specific accomplishments and failures in addition to crucial administrative and artistic decisions to chart larger developments in American theatre, most notably the craze for new play development, the death of resident companies in professional theatres, the passion to reflect social causes (especially social justice and the #MeToo movement), and the troubling economic state of contemporary regional theatres.
Teaching Dance Improvisation serves as an introduction to, and a springboard for the author's theories, practices, and curriculum building of dance improvisation as a technique.
Ohne Zweifel gehorte David Bordwell (1947-2024) in den vergangenen vier Jahrzehnten mit seinen Buchern, Blogposts, Audiokommentaren und nicht zuletzt durch seine Lehre und seine Vortrage zu den wichtigsten Stimmen in der Filmwissenschaft.
