Screens Producing and Media Operations, Second Edition offers an expert guide to managing video content across live events, installations, and virtual production environments.
Carl Theodor Dreyer (1889-1968) ist der bedeutendste Filmemacher des danischen Kinos und bis heute einer der eigensinnigsten Kunstler, die im Laufe der Filmgeschichte in diesem Medium gearbeitet haben.
Fitzmaurice Voicework: Embodying the Holistic Voice is the ultimate guide to a world-renowned voice approach for discovering and developing the voice's full expressive potential and healthy use.
With just eight feature films to date, Sofia Coppola has crafted a distinctive hyper-feminine aesthetic, establishing herself as one of the world's finest directors.
Die filmischen Phanomene Schwarzbild, Schwarzkader oder Schwarzfilmstreifen und die durch sie erzeugte schwarze Leinwand, die Black Screen, begleiten das Medium von Anfang an und eroffnen uberraschende Einsichten.
The experience of going to the movies, be it a single screen theater, twin, multiplex or drive-in, is affected by many different factors that have shifted over the years.
Master the critical tools for understanding media in today s fast-evolving digital landscape Critical Media Studies: An Introduction for the Digital Age provides students with a powerful framework for analyzing the impact of media on knowledge, attitudes, and behaviors.
James Graham is one of the UK's leading dramatists, a multi-award-winning writer who for almost 20 years has analysed and articulated concepts of power and authority in modern British society.
James Graham is one of the UK's leading dramatists, a multi-award-winning writer who for almost 20 years has analysed and articulated concepts of power and authority in modern British society.
This book explores the way stories that emerge from the garden and are consumed in the digital space can become a nourished method of environmental communication.
Navigating a polarized society in their representation of social values, twenty-first-century horror films critically frame conflicting and divisive ideological issues.
Navigating a polarized society in their representation of social values, twenty-first-century horror films critically frame conflicting and divisive ideological issues.
This book is the first monograph to critically evaluate the work of the literary scholar Rene Girard from the perspectives of Law and Literature and Law and Film Studies, two of the most multidisciplinary branches of critical legal theory.
This book is the first monograph to critically evaluate the work of the literary scholar Rene Girard from the perspectives of Law and Literature and Law and Film Studies, two of the most multidisciplinary branches of critical legal theory.
This book argues that the production of media content, literature, and other forms of popular culture by Indigenous peoples (IPs), as well as their involvement as advisors, sources, or interviewees, serves as a platform for them not only to showcase their creativity but also to mediate their cultures, identities, worldviews, and activism.
This book argues that the production of media content, literature, and other forms of popular culture by Indigenous peoples (IPs), as well as their involvement as advisors, sources, or interviewees, serves as a platform for them not only to showcase their creativity but also to mediate their cultures, identities, worldviews, and activism.
This edited book brings together scholarly chapters on linguistic aspects of humour in literary and non-literary domains and contexts in different parts of the world.
The book brings together media scholars and practitioners to deliberate on the role and influence of radio broadcasting in South Africa over the past 100 years.
This edited book brings together scholarly chapters on linguistic aspects of humour in literary and non-literary domains and contexts in different parts of the world.
The book brings together media scholars and practitioners to deliberate on the role and influence of radio broadcasting in South Africa over the past 100 years.
The book brings together media scholars and practitioners to deliberate on the role and influence of radio broadcasting in South Africa over the past 100 years.
The book brings together media scholars and practitioners to deliberate on the role and influence of radio broadcasting in South Africa over the past 100 years.
This book constitutes the first full volume dedicated to an academic analysis of theatrically-released spinoff films derived from British radio and television sitcoms.
