This book guides you through the process of using your phone to create different kinds of video and audio for TV, theaters, YouTube, TikTok, and podcasts.
Drawing on more than 4 decades of experience working in Nautanki as a writer, director, singer, and actor, Sharma's book is the first major study to analyse Nautanki not only through its literary bases, but also through live performances, considering it both in a historical vein and as contemporary theatre on the ground.
Filme sind zu einem wichtigen Bestandteil des Fremdsprachenunterrichts geworden, jedoch erfolgte der Einsatz von Filmen bislang auf Basis eines empirisch wenig fundierten Forschungsfeldes.
Consent in Shakespeare's Classical Mediterranean fills a gap in knowledge about how female-identified, gender-fluid, and non-binary characters made choices about intimacy, engagement, and marriage in Shakespeare's classical Mediterranean plays.
Filme sind zu einem wichtigen Bestandteil des Fremdsprachenunterrichts geworden, jedoch erfolgte der Einsatz von Filmen bislang auf Basis eines empirisch wenig fundierten Forschungsfeldes.
This accessible introduction challenges fixed understandings of the geographical or conceptual "e;origins"e; of feminist performance, offering a fresh and open-ended guide to the moments and movements that have come to define this vital field.
This anthology of essays, a companion to Puppet and Spirit: Ritual, Religion, and Performing Objects, Volume I, aims to explore the many types of relationships that exist between puppets, broadly speaking, and the immaterial world.
In what innovative ways are women documentary filmmakers seeking to prioritize and promote political awareness, alternative modes of allyship, and advocacy for those most marginalized by patriarchy and global capitalism?
Screenwriters have been central figures in French cinema since the conversion to sound, from early French-language talkies for the domestic market to lavish literary adaptations of the notorious 'quality tradition' of the 1950s, and from the 'aesthetic revolution' of the New Wave to the contemporary popular and auteur film in the 2000s.
Cinesonica: sounding film and video explores previously neglected and under-theorised aspects of film and video sound, drawing on detailed case study analyses of Hollywood cinema, art cinema, animated cartoons, and avant-garde film and video.
Now in a fully updated second edition, How to Read a Play offers methods for analyzing play scripts from a diverse range of perspectives, giving directors practical tools as they prepare for production.
Dancing Shakespeare is the first history of ballets based on William Shakespeare's works from the birth of the dramatic story ballet in the eighteenth century to the present.
In the ghetto, transit and concentration camp Theresienstadt, film recordings were made with the forced participation of the deportees and became known under the title "e;Theresienstadt - A Documentary from the Jewish Settlement Area"e;.
An exciting new strand in The Television Series, the 'Moments in Television' collections celebrate the power and artistry of television, whilst interrogating key critical concepts in television scholarship.
A complete guide to becoming a successful communicator, Beyond Powerful Radio teaches time-tested techniques that work in any format - radio, TV, podcast, or online.
In the ghetto, transit and concentration camp Theresienstadt, film recordings were made with the forced participation of the deportees and became known under the title "e;Theresienstadt - A Documentary from the Jewish Settlement Area"e;.
This collection assembles a wide range of scholarship addressing the intersections, influences, and impacts of the horror genre's proliferation across multiple forms of media.
Antonfrancesco Grazzini's plays, La Spiritata (The Possessed Girl) and La Strega (The Witch), are available in English for the first time, with notes and an "e;Introduction"e;.
Roger Besfield, the author of this book, did not make the chapters of his book essential and complementary, but rather he made everything in his book things and elements of equal importance.
