This seminal photography text, now in its 11th edition, has been revamped, reorganized, and modernized to include the most up-to-date and need-to-know information for photographers.
Focusing on fine art and documentary photography, this book provides a racially diverse and culturally inclusive version of photography history and its contemporary manifestations.
This study argues that photographs from Qajar Iran (1785-1925) of harem women, royal women, and public women, such as sex workers, musicians, singers, and dancers, make profound statements on the institution of the harem in a time of flux and modernization.
After assuming power in 1980, the Zimbabwe African National Union (ZANU) has sought to control the narrative of the struggle for liberation from colonialism, to the exclusion of other players such as the Zimbabwe African People's Union (ZAPU).
Focusing on fine art and documentary photography, this book provides a racially diverse and culturally inclusive version of photography history and its contemporary manifestations.
This volume presents the rich, but under-utilised and in parts inaccessible, archival historic aerial imagery, traditional photographs and those captured from satellites, for the exploration and management of cultural heritage.
Las diversas implicaciones que tiene hoy el tema de la imagen, en sus sucesivas transformaciones de las posibilidades tecnológicas de producción, circulación y recepción, así como la riqueza y complejidad que adquieren los lenguajes y las técnicas artísticas, encuentran en la fotografía una particular y fecunda condición, que dinamiza problemas tanto de estética como de psicología del arte o, en términos generales, cuestiones sobre la historia del arte y su estatuto contemporáneo.
