Humphrey Jennings was one of Britain's greatest documentary film-makers, described by Lindsay Anderson in 1954 as 'the only real poet the British cinema has yet produced'.
The 'other' is a topic of great interest within and across contemporary photographic practice and theory, yet it remains neglected outside the now well-established field of postcolonial studies.
The 'other' is a topic of great interest within and across contemporary photographic practice and theory, yet it remains neglected outside the now well-established field of postcolonial studies.
***The definitive collection of the Joy Division photographs of Kevin Cummins, including interviews with Bernard Sumner, Peter Hook and Stephen Morris.
Canada in the Frame explores a photographic collection held at the British Library that offers a unique view of late nineteenth century and early twentieth century Canada.
This is the definitive visual account of the gay liberation movement in New York, following the Stonewall uprising in Greenwich Village in 1969, an event that marked the coming-out of New York's gay community.
This is the definitive visual account of the gay liberation movement in New York, following the Stonewall uprising in Greenwich Village in 1969, an event that marked the coming-out of New York's gay community.
In 2005, a group of photographers took a stand alongside the people of the small town of Bil'in, and documented their fight to stop the Israeli government building the infamous West Bank Barrier.
A comprehensive illustrated biography of Kahlil Gibran, Lebanese-American artist, poet and author of the best-selling inspirational fiction The Prophet.
You didn't just meet with Fred Dinah you were instinctively drawn close to him, his larger than life personality was truly infectious and his communication skills second to none.
Craig Allen, a Paratrooper for 29 years, returned to 2 PARA as a reservist and unofficial photographer for the Battlegroup’s dramatic 2008 Tour in Helmand.
Picturing the Cosmos elucidates the complex relationship between visual propaganda and censorship in the Soviet Union in the Cold War period, focusing on the 1950s and 1960s.
Picturing the Cosmos elucidates the complex relationship between visual propaganda and censorship in the Soviet Union in the Cold War period, focusing on the 1950s and 1960s.
Piercing Time examines the role of photography in documenting urban change by juxtaposing contemporary 'rephotographs' taken by the author with images of nineteenth-century Paris taken by Charles Marville, who worked under Georges Haussmann, and corresponding photographs by Eugene Atget taken in the early twentieth century.
Taking as its starting point the notion of photocinema - or the interplay of the still and moving image - the photographs, interviews, and critical essays in this volume explore the ways in which the two media converge and diverge, expanding the boundaries of each in interesting and unexpected ways.
Walker Evans said in his 1958 introduction to Robert Frank's The Americans, 'For the thousandth time, it must be said that pictures speak for themselves, wordlessly, visually, or they fail.
'I came to Birmingham with the view to being creative, and today I believe we have not only successfully secured the future of the Company, but the whole dance culture in the city of Birmingham.
Natalia Osipova: Becoming a Swan is an intimate portrait of the work of a ballet superstar, and the story told in pictures of how she prepares for the most iconic role in all of ballet.
L’ouvrage prend le contre-pied des magazines comme Play Boy qui ont contribué à développer des images du corps féminin formatées et liées à la consommation de masse.
Seitdem Playboy und andere Illustrierte Fotografien des weiblichen Körpers für den modernen Massenmarkt erschlossen haben, hat die erotische Fotografie viel ihres künstlerischen Wertes eingebüßt.
La fotografía erótica ha perdido gran parte de su exquisitez desde que Playboy y otras revistas de destape le cambiaron el envoltorio al cuerpo humano para el consumo de las masas.
Norwich, in common with most English cities, suffered enemy air attack and during a period of almost three and a half years bombs were dropped in every part of the city.
Seitdem Playboy und andere Illustrierte Fotografien des weiblichen Körpers für den modernen Massenmarkt erschlossen haben, hat die erotische Fotografie viel ihres künstlerischen Wertes eingebüßt.
Craig Allen, a Paratrooper for 29 years, returned to 2 PARA as a reservist and unofficial photographer for the Battlegroup’s dramatic 2008 Tour in Helmand.
Mit dem Auftreten von Magazinen wie Playboy oder Penthouse, indenen die Körper der Frauen in Hochglanz-Form gebracht zu seinscheinen wie ein maschinell hergestelltes Produkt, ausgedacht, umes in möglichst großer Anzahl visuell einzusetzen, verlor dieerotische Fotografie ihre Adelsurkunden.
Whatever type of device you use to take pictures - whether a phone or a pro-spec digital camera - the most compelling subject is always other human beings.
