From clothing to the painted and scarified nude body, through overt, public display or esoteric symbols known only to the initiated, dress can convey information about beliefs, faith, identity, power, agency, resistance, and fashion.
In recent years, food waste has risen to the top of the political and public agenda, yet until now there has been no scholarly analysis applied to the topic as a complement and counter-balance to campaigning and activist approaches.
Nominated for the 2016 Art in Literature: Mary Lynn Kotz Award, Library of Virginia
Owing to digitization, globalization and mass culture, what is deemed 'desirable' and 'of the moment' in art has increasingly followed the patterns of fashion.
Symbol, Pattern and Symmetry: The Cultural Significance of Structure investigates how pattern and symbol has functioned in visual arts, exploring how connections and comparisons in geometrical pattern can be made across different cultures and how the significance of these designs has influenced craft throughout history.
We often hear that selves are no longer formed through producing material things at work, but by consuming them in leisure, leading to 'meaningless' modern lives.
Nominated for the 2016 Art in Literature: Mary Lynn Kotz Award, Library of Virginia
Owing to digitization, globalization and mass culture, what is deemed 'desirable' and 'of the moment' in art has increasingly followed the patterns of fashion.
This edited volume critically engages with contemporary scholarship on museums and their engagement with the communities they purport to serve and represent.
This edited volume critically engages with contemporary scholarship on museums and their engagement with the communities they purport to serve and represent.
Learning how to think through fashion is both exciting and challenging, being dependent on one's ability to critically engage with an array of theories and concepts.
The dominant form of Ottoman pictorial art until the eighteenth century, miniatures have traditionally been studied as reflecting the socio-historical contexts, aesthetic concerns and artistic tastes of the era within which they were produced.
The manufacture and trade in crafted goods and the men and women who were involved in this industry - including metalworkers, ceramicists, silk weavers, fez-makers, blacksmiths and even barbers - lay at the social as well as the economic heart of the Ottoman empire.
Increasing numbers of women are engaging in the development and discussion of modest dressing; a movement matched by a growing media and popular demand for intelligent commentary about the topic.
Trash, garbage, rubbish, dross, and detritus - in this enjoyably radical exploration of 'Junk', Gillian Whiteley rethinks art's historical and present appropriation of junk within our eco-conscious and globalised culture.
Increasing numbers of women are engaging in the development and discussion of modest dressing; a movement matched by a growing media and popular demand for intelligent commentary about the topic.
In this innovative new book, Alison Bancroft re-examines significant moments in twentieth century fashion history through the focal lens of psychoanalytic theory.
Trash, garbage, rubbish, dross, and detritus - in this enjoyably radical exploration of 'Junk', Gillian Whiteley rethinks art's historical and present appropriation of junk within our eco-conscious and globalised culture.
Crafts and Craftsmen of the Middle East presents research on craft workers within and outside the guild structure from the modern and contemporary Mediterranean world.
The manufacture and trade in crafted goods and the men and women who were involved in this industry - including metalworkers, ceramicists, silk weavers, fez-makers, blacksmiths and even barbers - lay at the social as well as the economic heart of the Ottoman empire.
Contemporary artists such as Ghada Amer and Clare Twomey have gained international reputations for work that transforms ordinary craft media and processes into extraordinary conceptual art, from Amer's monumental stitched paintings to Twomey's large, ceramics-based installations.
A Study of the Weatherhead East Asian Institute, Columbia UniversityKingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan became both a modern nation and an imperial world power.
Folk art emerged in twentieth-century Nova Scotia not as an accident of history, but in tandem with cultural policy developments that shaped art institutions across the province between 1967 and 1997.
During periods of close collaboration, championed by figures like John Ruskin and William Morris, architecture and craft were referred to as "e;the allied arts.
The red maple leaf is the quintessential symbol of Canada and the flag that popularized it throughout the world was designed in the 1960s as a result of government legislation aimed at creating a vital, new Canadian national identity through objects, events, and building projects.
From the mid-eighteenth century on, cultural life in the northern valley of the St John River blended the traditions of Acadian and French Canadian settlers with those of American immigrants.
