Correspondence, travel writing, diary writing, painting, scrapbooking, curating, collecting and house interiors allowed British women scope to express their responses to imperial sites and experiences in the 18th, 19th and 20th centuries.
Correspondence, travel writing, diary writing, painting, scrapbooking, curating, collecting and house interiors allowed British women scope to express their responses to imperial sites and experiences in the 18th, 19th and 20th centuries.
Best Fifteen Books of March 2019, Refinery29Best Nonfiction Books of 2019, Paste MagazineObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.
Best Fifteen Books of March 2019, Refinery29Best Nonfiction Books of 2019, Paste MagazineObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.
In this third edition of Capitalism and Classical Social Theory, John Bratton and David Denham build on the classical triumvirate-Karl Marx, Emile Durkheim, and Max Weber-by extending the conversation to include early female theorists such as Mary Wollstonecraft and Charlotte Perkins Gilman, as well as the writings of W.
In this third edition of Capitalism and Classical Social Theory, John Bratton and David Denham build on the classical triumvirate-Karl Marx, Emile Durkheim, and Max Weber-by extending the conversation to include early female theorists such as Mary Wollstonecraft and Charlotte Perkins Gilman, as well as the writings of W.
On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid's largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded.
On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid's largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded.
Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racialized ideas about African Americans, and how whiteness was privileged within modernist ideals of visual form.
Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racialized ideas about African Americans, and how whiteness was privileged within modernist ideals of visual form.
