Object Lives and Global Histories in Northern North America explores how close, collaborative looking can discern the traces of contact, exchange, and movement of objects and give them a life and political power in complex cross-cultural histories.
The eighteenth century has been hailed for its revolution in consumer culture, but Material Literacy in Eighteenth-Century Britain repositions Britain as a nation of makers.
An in-depth portrait of the life and work of Shoji Hamada, one of the key figures behind the development of studio pottery in the 20th century, and the legacy he left.
Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined.
Ancient Samnium focuses on the region of Samnium in Italy, where a rich blend of historical, literary, epigraphic, numismatic, and archaeological evidence supports a fresh perspective on the complexity and dynamism of a part of the ancient Mediterranean that is normally regarded as marginal.
In an era of intensifying globalization and transnational connectivity, the dynamics of cultural production and the very notion of creativity are in transition.
During the interwar years, a proliferation of violence encroached upon the glossy, idealistic world of fashion: from the curiously common appearance of dismembered heads in fashion illustration, to seemingly torturous techniques and devices advertised by beauty imagery, even extending to garments designed to look assaulted and destroyed.
The Index of American Design was one of the most significant undertakings of the Federal Art Project -- the visual arts arm of the Works Progress Administration.
Investigating the representation of artefacts, objects and 'things' in a range of predominantly Western archaeological fiction from the late Victorian period to the modern day, this book examines the narratives through which humanity represents its own material heritage in relation to notions of enchantment, exhibition, estrangement, adventure, tourism and waste.
The Native American on a horse is an archetypal Hollywood image, but though such equestrian-focused societies were a relatively short-lived consequence of European expansion overseas, they were not restricted to North America's Plains.
In the first critical history of French ready-made fashion, Alexis Romano examines an array of cultural sources, including surviving garments, fashion magazines, film, photography and interviews, to weave together previously disparate historical narratives.
This is the first book-length exploration of the clothes worn in early modern Rome and provides novel insights into the city of Rome during one of its most fascinating periods.
On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid's largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded.
A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their usesArt history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft.
Sex and the City meets Martha Stewart in this savvy and eclectic interior-design manifesto for high-flying chicks with nesting fantasies from the authors of the bestselling Swell: A Girl's Guide to the Good Life.
Before the rise of private homes as we now understand them, the realm of personal, private, and local relations in England was the parish, which was also the sphere of poverty management.
The Victorian Baby in Print: Infancy, Infant Care, and Nineteenth-Century Popular Culture explores the representation of babyhood in Victorian Britain.
Offering a challenging new argument for the collaborative power of craft, this ground-breaking volume analyses the philosophies, politics and practicalities of collaborative craft work.
In this third edition of Capitalism and Classical Social Theory, John Bratton and David Denham build on the classical triumvirate-Karl Marx, Emile Durkheim, and Max Weber-by extending the conversation to include early female theorists such as Mary Wollstonecraft and Charlotte Perkins Gilman, as well as the writings of W.
