Fifty years and one billion dollars in gross box-office receipts after the initial release of The Godfather, Francis Ford Coppola's masterful trilogy continues to fascinate viewers old and new.
Over the past decades, a fundamental epistemological shift has transformed notions of performativity and representation in the arts under the influence of new technologies.
A Long Time Ago in a Cutting Room Far, Far Away provides a behind-the-scenes look at some of the most influential films of the last fifty years as seen through the eyes of Paul Hirsch, the Oscar-winning film editor who worked on such classics as George Lucas's Star Wars and The Empire Strikes Back, Brian De Palma's Carrie and Mission: Impossible, Herbert Ross's Footloose and Steel Magnolias, John Hughes's Ferris Bueller's Day Off and Planes, Trains & Automobiles, Joel Schumacher's Falling Down, and Taylor Hackford's Ray.
A Long Time Ago in a Cutting Room Far, Far Away provides a behind-the-scenes look at some of the most influential films of the last fifty years as seen through the eyes of Paul Hirsch, the Oscar-winning film editor who worked on such classics as George Lucas's Star Wars and The Empire Strikes Back, Brian De Palma's Carrie and Mission: Impossible, Herbert Ross's Footloose and Steel Magnolias, John Hughes's Ferris Bueller's Day Off and Planes, Trains & Automobiles, Joel Schumacher's Falling Down, and Taylor Hackford's Ray.
This book explores the possibility that cinema can challenge our contemporary nihilism and restore belief in new transformative possibilities for life.
A fascinating look at one of the most experimental, volatile, and influential decades, Film, Fashion, and the 1960s, examines the numerous ways in which film and fashion intersected and affected identity expression during the era.
Unprecedented kinds of experience, and new modes of life, are now produced by simulations, from the CGI of Hollywood blockbusters to animal cloning to increasingly sophisticated military training software, while animation has become an increasingly powerful pop-cultural form.
In this truly beautiful book, Andrea Zanatelli combines his extraordinary artworks with a selection of classicallovepoetry by Anne Bront, William Blake, Christina Rossetti, Elizabeth Dickinson, Percy Shelley, and many more.
Bio-Politicizing Cary Grant explicates the ethnic, racial and sexual ambiguity of Cary Grant’s star persona as both an inculcation of (and resistance to) biopolitical imperatives in fifties-era “America”.
Estética y neuroestética intermedial: semióticas interartísticas muestra que la intermedialidad no se limita a la interacción entre medios y la variabilidad de soportes, ya sean biológicos (como los mecanismos físicos para emitir sonidos y lenguaje) o tecnológicos.
Peter Mühlen, une personnalité aux multiples facettes de la scène médiatique allemande, a accordé une interview chez lui à Haar, près de Munich, le 1er août 2012.
