Non-graphic and electronic art forms

This book examines the functions of sculpture during the Preclassic period in Mesoamerica and its significance in statements of social identity.

First published in 1937.

This volume explores illusionism as a much larger phenomenon than optical illusion, magic shows, or special effects, as a vital part of how we perceive, process, and shape the world in which we live.

This book discusses the evolution of Commedia dell'Arte in the Asia-Pacific where through the process of reinvention and recreation it has emerged as a variety of hybrids and praxes, all in some ways faithful to the recreated European genre.

Originally published in 1986.

Facial Hair and the Performance of Early Modern Masculinity is the first full-length critical study to analyse the importance of beards in terms of the theatrical performance of masculinity.

"e;Fourteen writers take on perhaps the most important cultural issue of our time: figure out what we're talking about when we're talking about cat videos.

Act as a Feminist maps a female genealogy of UK actor training practices from 1970 to 2020 as an alternative to traditional male lineages.

This book reconsiders the evidence for what we know (or think we know) about early modern performance conditions.

This book is a ground-breaking collection on contemporary Arab theatre.

This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state.

Sometimes image, sometimes word, and often both or neither, concrete poetry emerged out of an era of groundbreaking social and technological developments.

An insider's view of the world of contemporary Japanese women.

If today students of social theory read Jurgen Habermas, Michael Foucault and Anthony Giddens, then proper regard to the question of culture means that they should also read Raymond Williams, Julia Kristeva and Slavoj Zizek.

Wechselseitige Beziehungen, Befragungen und Beeinflussungen von Philosophie und Theater bzw.

The art of public structure is nearly as old as society itself, and its figurative representations (and gaps) represent deep wells of insight into culture.

Esta colección de escultura propone una visión del arte occidental auténtica e innovadora que inicia en la antigüedad y acaba en el siglo XX.

Is the mind like a theatrical performance?

First published in 1952.

Few directors of the 1930s and 40s were as distinctive and popular as Preston Sturges, whose whipsmart comedies have entertained audiences for decades.

Drawing on recent research by established and emerging scholars of sixteenth- and seventeenth-century art, this volume reconsiders the art and architecture produced after 1563 across the conventional geographic borders.

On a global platform we are witnessing the increased visibility of the people we call children and teenagers as political activists.

This book argues that ideas first take shape in the human body, appearing on stage in new styles of performance.

David A.

'Actors always talk about what the audience does.

This accessible introduction challenges fixed understandings of the geographical or conceptual "e;origins"e; of feminist performance, offering a fresh and open-ended guide to the moments and movements that have come to define this vital field.

This is the first in-depth examination of contemporary intercultural performance by women around the world.

This is a compilation of two books by Charles H.

This book provides a timely intervention in the fields of performance studies and theatre history, and to larger issues of global cultural exchange.

This volume presents the first comprehensive academic study of the history and development of performance art in the former communist countries of Central, Eastern and South Eastern Europe since the 1960s.

Task centred social work is one of the best known and most strongly supported approaches to social work practice.

Though development researchers have proven that the participation of women is necessary for effective sustainable development, development practitioners still largely lack culturally appropriate, gender-sensitive tools for including women, especially women living in poverty.

What is a live performance?

The Art of Experience provides an interdisciplinary analysis of selected plays from Ireland's premier female playwright, Marina Carr.

Includes the plays The Lady's Not for Burning, A Yard of Sun and SiegeIn this volume of Christopher Fry's original stage work, his most famous play The Lady's Not for Burning - 'Spring' in his set of 'Seasonal Plays' - is joined by the 'Summer' play A Yard of Sun, written in the mid-1930's.

This extraordinary seven-part book covers the processes of creating 13 projects -- from pencils to vases to bicycles -- for all personalities, skill levels and interests.

Black and Asian Theatre in Britain is an unprecedented study tracing the history of 'the Other' through the ages in British theatre.

First published in 1990.

The Yiddish Queen LearNew York in the late 1930s: a once-famous Yiddish actress gives her theatre business over to her three daughters.

A bold new reconception of ancient Greek drama as a mode of philosophical thinkingThe Philosophical Stage offers an innovative approach to ancient Greek literature and thought that places drama at the heart of intellectual history.

This broad-based collection of essays is an introduction both to the concerns of contemporary folklore scholarship and to the variety of forms that folk performance has taken throughout English history.

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First Published in 1997.

Contemporary theatre, like so much of contemporary life, is obsessed with the ways in which information is detected, packaged and circulated.

A History of Latinx Performing Arts in the U.

The Method Acting Exercises Handbook is a concise and practical guide to the acting exercises originally devised by Lee Strasberg, one of the Method's foremost practitioners.

Active Analysis combines two of Maria Knebel's most important books, On Active Analysis of the Play and the Role and The Word in the Actor's Creative Work, in a single edition conceived and edited by one of Knebel's most famous students, the renowned theatre and film director, Anatoli Vassiliev.