This volume focuses on the highly debated topic of theatrical translation, one brought on by a renewed interest in the idea of performance and translation as a cooperative effort on the part of the translator, the director, and the actors.
This volume focuses on the highly debated topic of theatrical translation, one brought on by a renewed interest in the idea of performance and translation as a cooperative effort on the part of the translator, the director, and the actors.
While eighteenth-century playwright and critic Gotthold Ephraim Lessing made numerous contributions in his lifetime to the theater, the text that best documents his dynamic and shifting views on dramatic theory is also that which continues to resonate with later generations - the Hamburg Dramaturgy (Hamburgische Dramaturgie, 1767-69).
While eighteenth-century playwright and critic Gotthold Ephraim Lessing made numerous contributions in his lifetime to the theater, the text that best documents his dynamic and shifting views on dramatic theory is also that which continues to resonate with later generations - the Hamburg Dramaturgy (Hamburgische Dramaturgie, 1767-69).
This is the first book to unpack the history and significance of the opening ceremony of the Olympic Games, the frontispiece of the most watched event on Earth.
As the symbolists, constructivists and surrealists of the historical avant-garde began to abandon traditional theatre spaces and embrace the more contingent locations of the theatrical and political 'event', the built environment of a performance became not only part of the event, but an event in and of itself.
As the symbolists, constructivists and surrealists of the historical avant-garde began to abandon traditional theatre spaces and embrace the more contingent locations of the theatrical and political 'event', the built environment of a performance became not only part of the event, but an event in and of itself.
This book makes a significant contribution to interdisciplinary engagements between Theatre Studies and Cultural Geography in its analysis of how theatre articulates transnational geographies of Asian culture and identity.
This book makes a significant contribution to interdisciplinary engagements between Theatre Studies and Cultural Geography in its analysis of how theatre articulates transnational geographies of Asian culture and identity.
This book provides a critical study of how China was represented on the historical London stage in selected examples from the late seventeenth century to the early twentieth century-which corresponds with the Qing Dynasty (1644-1911), China's last monarchy.
This book provides a critical study of how China was represented on the historical London stage in selected examples from the late seventeenth century to the early twentieth century-which corresponds with the Qing Dynasty (1644-1911), China's last monarchy.
Not in Front of the Audience is a pioneering and important study of a neglected terrain, examining the way in which the theatres of London and New York have reflected contemporary social and cultural attitudes to 'gay men' and homosexuality.
Not in Front of the Audience is a pioneering and important study of a neglected terrain, examining the way in which the theatres of London and New York have reflected contemporary social and cultural attitudes to 'gay men' and homosexuality.
The Politics of Performance^ addresses fundamental questions about the social and political purposes of performance through an investigation into post-war alternative and community theatre.
The Politics of Performance^ addresses fundamental questions about the social and political purposes of performance through an investigation into post-war alternative and community theatre.
Focusing on the work of painter, choreographer and scenic designer Oskar Schlemmer, the "e;Master Magician"e; and leader of the Theatre Workshop, this book explains this "e;theatre of high modernism"e; and its historical role in design and performance studies; further, it connects the Bauhaus exploration of space with contemporary stages and contemporary ethics, aesthetics and society.
Focusing on the work of painter, choreographer and scenic designer Oskar Schlemmer, the "e;Master Magician"e; and leader of the Theatre Workshop, this book explains this "e;theatre of high modernism"e; and its historical role in design and performance studies; further, it connects the Bauhaus exploration of space with contemporary stages and contemporary ethics, aesthetics and society.
Based on extensive and diverse material from 70 languages, and covering a range of previously undiscussed problems, this book provides a thorough analysis of how nominalization types interact with other structural features.
Based on extensive and diverse material from 70 languages, and covering a range of previously undiscussed problems, this book provides a thorough analysis of how nominalization types interact with other structural features.
