Tracing the flows of people, material items, and digitalcontent between Havana and Miami, as well as between Cuba and Panama, Guyana,and Mexico, this book demonstrates the worldmaking of marginalized Cubancommunities in a transnational setting.
Performing Contemporary Childhoods: Being and Becoming a Viral Child examines the changing nature of contemporary childhoods by exploring how children's and young people's digital media create new ideas about youth agency.
Performing Contemporary Childhoods: Being and Becoming a Viral Child examines the changing nature of contemporary childhoods by exploring how children's and young people's digital media create new ideas about youth agency.
Tracing the flows of people, material items, and digitalcontent between Havana and Miami, as well as between Cuba and Panama, Guyana,and Mexico, this book demonstrates the worldmaking of marginalized Cubancommunities in a transnational setting.
A History of Intimacy Professionals in Entertainment is the first book that explores the evolution of intimacy coordinators, choreographers and directors in the performing arts, highlighting the history of their critical role in fostering safe(r) and respectful environments on set and in theaters.
This engaging book offers a broad spectrum of collaborative and accessible performance-based practices that promote social justice within college classrooms, rehearsal spaces, campus stages and local communities.
From Object to Performance identifies, analyses, and critically contemplates the advent of a "e;performance mentality"e; and the gradual maturation of a "e;performative turn"e; in Israeli art.
This introduction to queer theatre and performance in the United States explores the pioneering artists that have shaped this ever-changing field across the past two centuries, through ten key moments and movements.
This introduction to queer theatre and performance in the United States explores the pioneering artists that have shaped this ever-changing field across the past two centuries, through ten key moments and movements.
This collection of essays seeks to present articles that examine the early ventures of the 1960s and 1970s in the progressive theatre of identity with a new contemporary view, considering the intersection of race, gender, ethnicity, economic class, and sexual orientation.
A Practical Guide to Costumed Interpretation is just that - a book that takes you through the various stages of becoming an historical costumed interpreter.
A Practical Guide to Costumed Interpretation is just that - a book that takes you through the various stages of becoming an historical costumed interpreter.
This fully updated and revised fourth edition of Theory/Theatre is a unique and highly engaging introduction to cultural theory as it relates to theatre and performance.
El escenario en la Bauhaus recopila dos ensayos que, en conjunto, bosquejan la teoría del escenario total y el diseño escénico de la Bauhaus correspondiente al período de Weimar (1919-1925).
Enfrentados a la noción de progreso y al umbral evolutivo de la inteligencia artificial que alimentan los imaginarios sobre nuestro futuro, las reflexiones y los ensayos que reúne este libro buscan fundar un nuevo paisaje crítico, en la zona donde se encuentran el arte, la teoría crítica y la tecnología.
Punching Up in Stand-Up Comedy explores the new forms, voices and venues of stand-up comedy in different parts of the world and its potential role as a counterhegemonic tool for satire, commentary and expression of identity especially for the disempowered or marginalised.
Providing a solid media-philosophical groundwork, Beyond Mimesis contributes to the theory of mimesis and alterity in performance philosophy while serving to stimulate and inspire future inquiries where studies in media and art intersect with philosophy.
Establishing a 'missed link' between the work of Piero Manzoni and Helio Oiticica and their respective cultural contexts, this book sheds new light on overlooked aspects of these two artists' practices, particularly focusing on the shift from painting to performance in the long 1960s.
Dramaturgy: The Basics introduces the art of dramaturgy, explaining how dramaturgy works, what a dramaturg is, and how to appreciate their unique contribution to theatre-making.
Dramaturgy: The Basics introduces the art of dramaturgy, explaining how dramaturgy works, what a dramaturg is, and how to appreciate their unique contribution to theatre-making.
No hablamos de arte aquí si no de un campo experimental donde nos construimos y deconstruimos, donde irrumpe lo que desde una mirada cisheteronormativa nunca fuimos: seres hechos de una vez para siempre, sino pura experiencia.
En este volumen se reúnen las obras dramáticas más destacadas del dramaturgo, director de escena e intérprete Pablo Messiez (Premio Max a la Mejor Dirección de Escena, 2016).
Partiendo de la novela de Mary Shelley, Franskentein, Antola reinstala a las personas no cis en el tren fantasmagórico del experimento y la fantasía, para desarmar las ficciones identitarias de quienes jamás debieron disputarle al Estado alguna verdad.
"Este libro de Fernanda Carvajal posee un decisivo valor inaugural al ser elprimer estudio dedicado al legendario trabajo de las Yeguas del Apocalipsiscuyo corpus estético-político y cultural aparece aquí enteramente recreado y,como tal, es un libro que merece ser destacado por su aporte disciplinar alcampo de especialización crítica de las escrituras sobre arte en Chile.
In the theatre world, 'off book' signifies a deadline in the creative process: the date by which performers are to have memorised their lines and will no longer be allowed to carry their play script - the 'book' - on stage.
Text and Performance in Contemporary British Theatre interrogates the paradoxical nature of theatre texts, which have been understood both as separate literary objects in their own right and as material for performance.
Shakespeare and Cultural Appropriation pushes back against two intertwined binaries: the idea that appropriation can only be either theft or gift, and the idea that cultural appropriation should be narrowly defined as an appropriative contest between a hegemonic and marginalized power.
This book elucidates the technical aspects of improvised dance performance and reframes the notion of labour in the practice from one that is either based on compositionally formal logic or a mysterious impulse, to one that addresses the (in)corporeal dimensions of practice.
This book elucidates the technical aspects of improvised dance performance and reframes the notion of labour in the practice from one that is either based on compositionally formal logic or a mysterious impulse, to one that addresses the (in)corporeal dimensions of practice.
Live Digital Theatre explores the experiences of Interdisciplinary Performing Arts practitioners working on digital performance and in particular live digital theatre.
Live Digital Theatre explores the experiences of Interdisciplinary Performing Arts practitioners working on digital performance and in particular live digital theatre.
This book examines the emergence of women as audiences and speakers on the British metropolitan lecture circuit and in mass print representations from 1870 to 1910.
